I sat through an hour and half of sheer cinematic enjoyment yesterday afternoon as my wife and I watched the unfolding drama of people as they pass through the vicissitudes of life. Smith's writing painted a perfect tableau for a wonderful display of acting skills from all of the actors with special mention going to Emma Lung for her skillful portrayal of the principle character as that young woman traverses the minefield we call early adulthood. In my opinion, there is drama enough in life's path-it is not necessary to repeat the silliness of Hollywood by exploding the screen with car crashes and blood spattered body bags in order to tell a film story. One need only remember the beauty of the French film "Etre et Avoir" to see the extraordinary beauty of the simplest of human dramas.
I loved the softly, softly approach that Monahan pulled from his three leads-Weaving, McKenzie and Lung. The beauty of their acting, blended with the landscape into which the story was set left this viewer totally enchanted. If we can continue to make films of this caliber our industry, although temporarily passing through the doldrums, will emerge stronger and more vibrant. I anticipate watching every film our local cinemas screen.
I am writing this on August 16, '08 after again being entranced by this wonderful film on television last night. If anything, I was even more impressed with Peaches than I had been four years earlier when Diane and I first viewed it.
Growing up as I did in a small town not dissimilar to the location of the movie, I have huge empathy for people in small towns and the trap they must feel because of their situation: that situation the result of too early pregnancy; failure to pursue education beyond the town; fear of the unknown; lack of imagination or misplaced loyalty to loved ones (who in most instances would rather see their kids fly and lead their own lives.) The extraordinary beauty of Peaches was its ability to examine this issue of "leaving or staying" in such a gentle, dare I say loving sort of way.
A brilliant film to be sought out and treasured; a classic!
I loved the softly, softly approach that Monahan pulled from his three leads-Weaving, McKenzie and Lung. The beauty of their acting, blended with the landscape into which the story was set left this viewer totally enchanted. If we can continue to make films of this caliber our industry, although temporarily passing through the doldrums, will emerge stronger and more vibrant. I anticipate watching every film our local cinemas screen.
I am writing this on August 16, '08 after again being entranced by this wonderful film on television last night. If anything, I was even more impressed with Peaches than I had been four years earlier when Diane and I first viewed it.
Growing up as I did in a small town not dissimilar to the location of the movie, I have huge empathy for people in small towns and the trap they must feel because of their situation: that situation the result of too early pregnancy; failure to pursue education beyond the town; fear of the unknown; lack of imagination or misplaced loyalty to loved ones (who in most instances would rather see their kids fly and lead their own lives.) The extraordinary beauty of Peaches was its ability to examine this issue of "leaving or staying" in such a gentle, dare I say loving sort of way.
A brilliant film to be sought out and treasured; a classic!