"Exterminate all rational thought. This is the conclusion I have come to".
So says Bill Lee, the central character of David Cronenberg's adaptation of William Burroughs' bizarre novel "Naked Lunch". The film takes the novel, replaces the characters with Burroughs, his family, and his friends, and then gives them all the names of characters from the book anyway. Once you sort that conundrum out and stop thinking rationally you can begin to understand the film. But only begin. I don't think there is any way to fully understand "Naked Lunch".
Bill Lee is an exterminator who, along with his wife, has become addicted to bug repellent powder. One night, while on a bit of a bender, Bill accidentally shoots his wife, Joan, in the head during a game of William Tell. Following this, he uses the powder to go on a seemingly endless trip, ripe with sinister cabals, talking bugs, and journalistic endeavors.
What the film theorizes is that this is actually the tale of how Burroughs wrote the book "Naked Lunch". Indeed, Burroughs did shoot his wife the way Bill does in the movie, but one wonders if Burroughs actually went on the trip we see in the film. "Naked Lunch" is akin to "Fear and Loathing in Las Vegas" in it's over-the-top depiction of drug use as literary inspiration. "Naked Lunch" is actually a bit weirder to me than "Fear and Loathing", but I guess that's the same as saying one Queer Eye Guy is gayer than another. How can you be sure and, in the end, what's the difference? I'll skip over trying to compare Burroughs' trip to Dr. Thompson's. I think my brain would explode if I tried.
David Cronenberg, cinematic master of the macabre, struck gold with "Naked Lunch". Here we have one of Cronenberg's most fully realized fantasies. It's sick, disturbing, and confusing and, in these ways, it almost reaches the level of "VideoDrome", Cronenberg's true masterpiece and the most outright disturbing film I've ever seen. The creatures that Cronenberg dreamed up (based, of course, on Burroughs' warped ideas) are incredible. The seven-foot-tall Mugwumps (modeled after the physical appearance of Burroughs) creeped me out, and the half-beetle/half-typewriter creatures with talking sphincters are some of the grossest creatures I've ever seen on screen. These are things that Cronenberg delights in.
Peter Weller finally escaped from the shadow of "RoboCop" with this film. Ironically, the characters are similar. Both Robo and Bill Lee are monotone speaking, emotionless people. The difference being that Robo is made from forklift parts held together with duct tape and glue and Bill is human. Or at least I think he is. Nothing is certain in "Naked Lunch". Weller captures William Burroughs expertly. Judy Davis shows her range in the dual role of Joan Lee, Bill's wife, and Joan Frost, Bill's imagined lover. Joan Lee is drug-addled and loose; Joan Frost is uptight and needs to be taught how to be free. Davis makes the two women so different that it's almost impossible to tell it's the same actress in both parts.
If you like Burroughs, see this film. If you like Croneberg, see this film. If you want a simple, pleasant film...stay far away. :Naked Lunch" is a pornographically perverted look at the complexities of drug abuse and the difficulties of the writing process. I don't use the word pornographically lightly. This is as extreme a movie as I've ever seen, especially coming from the Hollywood system. It's icky, it's gross, it's disturbing. It's also a masterpiece.
So says Bill Lee, the central character of David Cronenberg's adaptation of William Burroughs' bizarre novel "Naked Lunch". The film takes the novel, replaces the characters with Burroughs, his family, and his friends, and then gives them all the names of characters from the book anyway. Once you sort that conundrum out and stop thinking rationally you can begin to understand the film. But only begin. I don't think there is any way to fully understand "Naked Lunch".
Bill Lee is an exterminator who, along with his wife, has become addicted to bug repellent powder. One night, while on a bit of a bender, Bill accidentally shoots his wife, Joan, in the head during a game of William Tell. Following this, he uses the powder to go on a seemingly endless trip, ripe with sinister cabals, talking bugs, and journalistic endeavors.
What the film theorizes is that this is actually the tale of how Burroughs wrote the book "Naked Lunch". Indeed, Burroughs did shoot his wife the way Bill does in the movie, but one wonders if Burroughs actually went on the trip we see in the film. "Naked Lunch" is akin to "Fear and Loathing in Las Vegas" in it's over-the-top depiction of drug use as literary inspiration. "Naked Lunch" is actually a bit weirder to me than "Fear and Loathing", but I guess that's the same as saying one Queer Eye Guy is gayer than another. How can you be sure and, in the end, what's the difference? I'll skip over trying to compare Burroughs' trip to Dr. Thompson's. I think my brain would explode if I tried.
David Cronenberg, cinematic master of the macabre, struck gold with "Naked Lunch". Here we have one of Cronenberg's most fully realized fantasies. It's sick, disturbing, and confusing and, in these ways, it almost reaches the level of "VideoDrome", Cronenberg's true masterpiece and the most outright disturbing film I've ever seen. The creatures that Cronenberg dreamed up (based, of course, on Burroughs' warped ideas) are incredible. The seven-foot-tall Mugwumps (modeled after the physical appearance of Burroughs) creeped me out, and the half-beetle/half-typewriter creatures with talking sphincters are some of the grossest creatures I've ever seen on screen. These are things that Cronenberg delights in.
Peter Weller finally escaped from the shadow of "RoboCop" with this film. Ironically, the characters are similar. Both Robo and Bill Lee are monotone speaking, emotionless people. The difference being that Robo is made from forklift parts held together with duct tape and glue and Bill is human. Or at least I think he is. Nothing is certain in "Naked Lunch". Weller captures William Burroughs expertly. Judy Davis shows her range in the dual role of Joan Lee, Bill's wife, and Joan Frost, Bill's imagined lover. Joan Lee is drug-addled and loose; Joan Frost is uptight and needs to be taught how to be free. Davis makes the two women so different that it's almost impossible to tell it's the same actress in both parts.
If you like Burroughs, see this film. If you like Croneberg, see this film. If you want a simple, pleasant film...stay far away. :Naked Lunch" is a pornographically perverted look at the complexities of drug abuse and the difficulties of the writing process. I don't use the word pornographically lightly. This is as extreme a movie as I've ever seen, especially coming from the Hollywood system. It's icky, it's gross, it's disturbing. It's also a masterpiece.