Magnolia (1999)
6/10
Pretentious, incongruous, and simply boring.
27 July 2005
Warning: Spoilers
I saw Boogie Nights before Magnolia, so I was obviously excited about this film. Three hours later, I found that my excitement had turned to boredom. This film's major flaw is the characters. None of them are 3-dimensional and we really have no reason to care for any of them. They simply exist to go through random occurrences for the sake of randomness. None of them are given anything exciting to do, and none of them are nearly as developed as they should be. In fact, some of the characters don't even serve a purpose in the film at all! Julianne Moore's character is the prime suspect of that crime. She's addicted to drugs, cries over her dying husband, and tries to kill herself. And somehow, we're supposed to feel sorry for her. Guess what? Doesn't work. We are given no REASON to feel sorry for her. We are never given any reason to feel sorry for ANOBODY in this movie. They are simply there. They do things and that is it. Seriously, why the hell am I supposed to give a damn if some know-it-all brat pisses his pants? The beginning of this film showed promise. In an over-long opening sequence, three urban legends are examined for their mysterious coincidences. But sadly, there is nothing even remotely as bizarre or exciting in the actual movie. People meet other people and that's the extent of it. Speaking of people, let's take a look at some of the characters:

There's some kid who pisses his pants, a dying old man and his overly emotional male nurse, the old man's wife who does nothing, a cop (the most interesting character, mostly because of John C. Reilly), a drug addict (not the old man's wife, a different drug addict), the guy played poorly by Tom Cruise (unsure of his official title), a gay man who wants to get braces to impress a bartender (what?!), and many more. Instead of actually having any reason to care about these character's unhappy lives, we are TOLD to care. Doesn't work. Cinematically speaking, this film is actually well-directed, edited, the cinematography is great, but the music is over-used. The film could also be shortened by about a half hour by simply not following around unimportant character from place to place before they vanish and are never to be seen or heard from again. What a total waste. If you actually believe that this film is original at all, just watch Short Cuts and you'll see the truth. Magnolia is a rip-off. A bad one where everyone has to cry every 5 minutes and sing together at the end before something totally outrageous happens for no reason at all and with no explanation. And speaking of Exodus 8:2, you will notice a lot of 8's and 2's in the film. Thing is, it's too overt. It's pretentious because Anderson is showing people how clever he is instead of actually being clever and letting people see it on their own. I'll even give an example of this whole "cleevrness with numbers" deal with THE SHINING:

Danny wears a jersey with number 42 Danny and his mom watch the movie Summer of 42 Half of 42 is 21 There are 21 pictures on the Gold Room wall The July 4th Ball was in 1921 The mirror image of 21 is 12 (mirrors play a key role in The Shining) The two times shown via screen titles are 8 PM and 4 PM (8+4=12) The radio call sign for the Overlook Hotel is KDK 12

Anderson has a lot to learn.
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