Review of Fantomas

Fantomas (1964)
10/10
Fantomas rulz!
7 August 2005
The Fantomas novels were resurrected in the early 1960s as France's own answer to the James Bond frenzy that swept the Continent and the world. The first one of the trilogy was filmed in 1963-64 and released in 1964. This film is shot in normal aspect ratio 4:3, whereas the following two were filmed in anamorphic wide screen.

The opening sequence of the film is already a gas: Fantomas pulls up in a chauffeured driven Rolls Royce Silver Cloud to a fancy jeweler's store next to the Paris Ritz Hotel. His mask identifies him as a British Lord. He pays for the jewelery with a personal check and then drives off with his stunning lady friend, smiling and laughing his distinct laughter. Next, we see the check being held in the hands of the jeweler, when suddenly, the amount and signature written on it disappear (invisible ink!) and the word "FANTOMAS" appear. Pretty high-grade stuff for 1964.

Interesting to note that in all three films, the actor Jean Marais played both the criminal mastermind Fantoms and ladies man Fandor, the journalist.

I also enjoyed looking at the journalist Fandor's hip mansard apartment. Top gimmick is the rubber masks that offer Fantomas anyone's identity at will. The flying Citroen car debuted here and was used on an AMC car that flew with retractable wings 10 years later in a Bond movie.

It would be so nice to be able to get the Fantomas films on DVD here in North America.
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