Well written and terminally fascinating British sci-fi thriller from director Val Guest and writer Nigel Neale. It is a film of big ideas and planet-sized concepts that stares up into the unknown with a combination of wonderment and dread.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.
Originally a highly popular TV series, it spawned two excellent sequels and decades of creative Hollywood pilfering.
Brian Donlevy is wonderful as Quatermass, a scientist with the bullying manner of a military drill Sargent and a fierce, pragmatic streak. After a rocket that he sent into space crashes back to Earth, Quatermass and unofficial partner-in-crime Inspector Lomax (Jack Warner) uncover a bizarre alien conspiracy in which a surviving astronauts's body has been "borrowed" by extraterrestrials keen on relocating.
Director Guest gives the drama a no-nonsense, almost documentary feel. The special effects are perfectly acceptable for the period and the brooding sense of mid-century paranoia is well conveyed.
The hero is the script, though. The dialogue is fresh and colourful and writers Guest and Neale always keep the scientific jargon interesting. All the characters are believable and the performances are top notch.
Despite the fact that James Bernard's solid score is a little overbearing at times, this is a dashingly good science fiction film with a strong stench of horror.