THE BUNKER
Aspect ratio: 1.85:1
Sound format: Dolby Digital Surround EX
1944: A group of German soldiers take refuge from advancing Allied forces inside a bunker on the German-Belgian border, where they're haunted by what appear to be the restless spirits of a Medieval massacre...
Debut director Rob Green aims for something less exploitative than your average low budget shocker, but he's rather handicapped by Clive Dawson's feeble script, which mistakes 'creeping dread' for 'narrative drive', and the resolution is both confusing and unsatisfactory. The funereal pace and lack of action is further amplified by Russell Currie's dissonant music score, which fails to bolster the visuals in a constructive manner. Still, some viewers will get a kick out of the creepy setting and sudden flashes of violence, and there's an excellent cast, toplined by Jack Davenport (THE TALENTED MR. RIPLEY), Jason Flemyng (LOCK, STOCK AND TWO SMOKING BARRELS) and Andrew Tiernan (EDWARD II). See also DEATHWATCH (2002), a marginally superior reworking of the same basic storyline.
Aspect ratio: 1.85:1
Sound format: Dolby Digital Surround EX
1944: A group of German soldiers take refuge from advancing Allied forces inside a bunker on the German-Belgian border, where they're haunted by what appear to be the restless spirits of a Medieval massacre...
Debut director Rob Green aims for something less exploitative than your average low budget shocker, but he's rather handicapped by Clive Dawson's feeble script, which mistakes 'creeping dread' for 'narrative drive', and the resolution is both confusing and unsatisfactory. The funereal pace and lack of action is further amplified by Russell Currie's dissonant music score, which fails to bolster the visuals in a constructive manner. Still, some viewers will get a kick out of the creepy setting and sudden flashes of violence, and there's an excellent cast, toplined by Jack Davenport (THE TALENTED MR. RIPLEY), Jason Flemyng (LOCK, STOCK AND TWO SMOKING BARRELS) and Andrew Tiernan (EDWARD II). See also DEATHWATCH (2002), a marginally superior reworking of the same basic storyline.