Don't ever fool around with Dorine Douglas! She will make sure you will pay for whatever you do to her!
"Office Killer" is a film, judging from most comments submitted to this forum, that deserved better. Cindy Sherman, the director, shows she can deliver a good movie. The film was written by Ms. Sherman and it appears Todd Haynes, a good director himself, helped with the dialog, although he is uncredited.
We don't understand, at the beginning, what is Dorine's motivation for doing what she does, but the key to comprehending what's wrong with her is revealed in flashbacks that shows her as a teen ager when some traumatic events occurred involving her parents. Dorine has been dealt a bad blow from life and her reactions, although extreme, seem to be typical of someone that has been deeply scarred.
The film works because of the wonderful Carol Kane who does some of the best work of her career. Ms. Kane transforms herself into this weird Dorine, who is the butt of all jokes at the magazine where she works. What triggers her spiral unraveling is the downsizing the company is going through that will render her a part timer, losing, no doubt, a good deal of her earnings.
The supporting cast is up to task under Ms. Sherman's direction. Molly Ringwald, Jeanne Tripplehorn, Barbara Sukowa, Michael Imperioli, David Thornton and Alice Drummond, among others, respond well to the director's instructions.
One wishes good luck to Ms. Sherman with future films because she is not afraid, to show it all for the viewer's enjoyment.
"Office Killer" is a film, judging from most comments submitted to this forum, that deserved better. Cindy Sherman, the director, shows she can deliver a good movie. The film was written by Ms. Sherman and it appears Todd Haynes, a good director himself, helped with the dialog, although he is uncredited.
We don't understand, at the beginning, what is Dorine's motivation for doing what she does, but the key to comprehending what's wrong with her is revealed in flashbacks that shows her as a teen ager when some traumatic events occurred involving her parents. Dorine has been dealt a bad blow from life and her reactions, although extreme, seem to be typical of someone that has been deeply scarred.
The film works because of the wonderful Carol Kane who does some of the best work of her career. Ms. Kane transforms herself into this weird Dorine, who is the butt of all jokes at the magazine where she works. What triggers her spiral unraveling is the downsizing the company is going through that will render her a part timer, losing, no doubt, a good deal of her earnings.
The supporting cast is up to task under Ms. Sherman's direction. Molly Ringwald, Jeanne Tripplehorn, Barbara Sukowa, Michael Imperioli, David Thornton and Alice Drummond, among others, respond well to the director's instructions.
One wishes good luck to Ms. Sherman with future films because she is not afraid, to show it all for the viewer's enjoyment.