"So Long at the Fair" manages to fuse the macabre with the swank in a singularly enjoyable nerve wracker set in 1889 Paris.
Director Terence Fisher leads his audience with aplomb from the gaiety of the Moulon Rouge to the lugubrious shadows of a convent hospital with an assurance missing from most modern thrillers.
Production values are first rate from the elegant hotel to the elaborately wrought fair sequences.
One could scarcely ask for a more debonair and attractive couple than Mr. Bogarde, (with his famous pompadour intact), and the exquisite Miss Simmons, who, in her turn provides a welcome reminder of 19th century feminine deportment. And Villainess Cathleen Nesbitt, with her cut glass diction, and rustling black bombazine, defines sinister suavity in a way you won't soon forget.
Kudos also to Honor Blackman who wears a bustle with distinction.
Director Terence Fisher leads his audience with aplomb from the gaiety of the Moulon Rouge to the lugubrious shadows of a convent hospital with an assurance missing from most modern thrillers.
Production values are first rate from the elegant hotel to the elaborately wrought fair sequences.
One could scarcely ask for a more debonair and attractive couple than Mr. Bogarde, (with his famous pompadour intact), and the exquisite Miss Simmons, who, in her turn provides a welcome reminder of 19th century feminine deportment. And Villainess Cathleen Nesbitt, with her cut glass diction, and rustling black bombazine, defines sinister suavity in a way you won't soon forget.
Kudos also to Honor Blackman who wears a bustle with distinction.