Not the best film in the world but a good effort by upcoming director Taylor-Stanley. I'm giving it seven because it wasn't dreadful and because the film score was fantastic.
Some of the acting is stronger in some places; some is weaker - I wasn't overwhelmed by the performance of the leading role of Diana, but supporting roles were good: Andy Lincoln did a great piece as Lovell, and Terence Stamp was wonderful as Baker. There were one or two small anachronisms, but mostly what you'd consider "anorak" things; for instance there is one point in the office of a theatrical agent where he fakes a telephone call, and the wire connecting the hand-held part of the Telephone is curly whereas in the 30s it should have been straight. There was also the use of the phrase 'Jesus H Christ' which was an anachronism, but generally a good film. The film score was wonderful, Mr Lynn is a complete unknown but it appears that the risk Taylor-Stanley took by hiring him was worth it.
As mentioned above, as a combination of the film's strong and weak points, I give it 7 out of 10.
Some of the acting is stronger in some places; some is weaker - I wasn't overwhelmed by the performance of the leading role of Diana, but supporting roles were good: Andy Lincoln did a great piece as Lovell, and Terence Stamp was wonderful as Baker. There were one or two small anachronisms, but mostly what you'd consider "anorak" things; for instance there is one point in the office of a theatrical agent where he fakes a telephone call, and the wire connecting the hand-held part of the Telephone is curly whereas in the 30s it should have been straight. There was also the use of the phrase 'Jesus H Christ' which was an anachronism, but generally a good film. The film score was wonderful, Mr Lynn is a complete unknown but it appears that the risk Taylor-Stanley took by hiring him was worth it.
As mentioned above, as a combination of the film's strong and weak points, I give it 7 out of 10.