It's a shame that Richard Burton never played Shannon in "Night of the Iguana" on stage - ditto Deborah Kerr and Ava Gardner - because all three are perfect casting for Tennessee Williams' wonderful play, on which this film is based. The story concerns a man of the cloth - well, sort of - Shannon, who, after an accusation of fornication and the nervous breakdown that followed, is locked out of his church and forced to take work as a tour guide for a cheap touring company. He is taking a group of Baptist women through Mexico showing them religious places when, while fighting off the advances of an underaged girl on the trip (Sue Lyon), he is accused by her chaperone (Grayson Hall) of giving into them. In order to keep her from reporting him to the tour company, he steals the bus distributor and holes up with them at the hotel of his friend, Maxine (Gardner). It is there that he meets the gentle artist, Hannah Jelks, and her aged poet grandfather Nonno. Under a dark Mexican sky, as an iguana being fattened for dinner is tethered below, the three confront their demons.
Knowing the actual play as well as I do, and having seen it performed, it's a little hard for me to judge this film, except that the acting across the board is marvelous. Gardner is fabulous as Maxine, the no-nonsense, earthy owner of the hotel who hankers after Shannon and isn't above a little jealousy. This is a role originated on Broadway by Bette Davis. It is rarely cast with someone as sexy and beautiful as Gardner, but those qualities make great additions to the role. Kerr as the spinster Jelks, facing a life of loneliness once her grandfather dies, is exquisite in the role, bringing to the role an analytical quality that normally isn't as apparent. Shannon could have been written for Burton - funny, drunk, with an underlying kindness, he is handsome, spirited, and a little nuts.
The additional characters of the underaged girl and the bus driver seem unnecessary additions, though Lyon was very good in a well-written role. Grayson Fall was great, but why was the recurring line she yells at Shannon - "Please take your hand OFF my arm!" removed from the script? Somehow the stage version is funnier and moves faster, though if you haven't seen it, you will still find this version amusing in sections and thought-provoking in others. The ending is changed as well. The play is a little heavier, a little more compelling, a little sadder, a little better and, naturally, pure Williams. But you couldn't ask for a better cast.
Knowing the actual play as well as I do, and having seen it performed, it's a little hard for me to judge this film, except that the acting across the board is marvelous. Gardner is fabulous as Maxine, the no-nonsense, earthy owner of the hotel who hankers after Shannon and isn't above a little jealousy. This is a role originated on Broadway by Bette Davis. It is rarely cast with someone as sexy and beautiful as Gardner, but those qualities make great additions to the role. Kerr as the spinster Jelks, facing a life of loneliness once her grandfather dies, is exquisite in the role, bringing to the role an analytical quality that normally isn't as apparent. Shannon could have been written for Burton - funny, drunk, with an underlying kindness, he is handsome, spirited, and a little nuts.
The additional characters of the underaged girl and the bus driver seem unnecessary additions, though Lyon was very good in a well-written role. Grayson Fall was great, but why was the recurring line she yells at Shannon - "Please take your hand OFF my arm!" removed from the script? Somehow the stage version is funnier and moves faster, though if you haven't seen it, you will still find this version amusing in sections and thought-provoking in others. The ending is changed as well. The play is a little heavier, a little more compelling, a little sadder, a little better and, naturally, pure Williams. But you couldn't ask for a better cast.