In 1914 and early 1915, Chaplin did his first comedy shorts. In general, they were pretty awful--with almost no plot and consisting of him mugging it up on camera and hitting people. However, in 1915 he left Keystone Studio and began making better films with Essenay (though there are some exceptions) and finally, in 1916, to Mutual where he made his best comedy shorts. These newer films had more plot and laughs and usually didn't relay on punching or kicking when they ran out of story ideas.
This film is one of these later Mutual Films and has a pretty decent amount of plot. Charlie is a carpenter's assistant on a movie set and his boss mostly sits around doing nothing--making Charlie do all the work. Later, the crew goes on strike and Charlie gets to act (although in real life, Chaplin's sympathies would have definitely been with the workers). In addition, a lady sneaks onto the set and disguises herself as a male laborer. Charlie realizes this and falls for her, though everyone else thinks she's a guy. I particularly liked the scene where Charlie is making out with the lady and really smooching it up good--and his boss looks on with horror! Overall, this is a pretty typical Mutual film--neither better or worse than the average one and worth a look if you get the opportunity.
An interesting scene was the one where Charlie picks up the MANY chairs and then the prop piano. This exact same scene was replicated by Syd Chaplin (Charlie's half-brother) years later in THE BETTER 'OLE.
This film is one of these later Mutual Films and has a pretty decent amount of plot. Charlie is a carpenter's assistant on a movie set and his boss mostly sits around doing nothing--making Charlie do all the work. Later, the crew goes on strike and Charlie gets to act (although in real life, Chaplin's sympathies would have definitely been with the workers). In addition, a lady sneaks onto the set and disguises herself as a male laborer. Charlie realizes this and falls for her, though everyone else thinks she's a guy. I particularly liked the scene where Charlie is making out with the lady and really smooching it up good--and his boss looks on with horror! Overall, this is a pretty typical Mutual film--neither better or worse than the average one and worth a look if you get the opportunity.
An interesting scene was the one where Charlie picks up the MANY chairs and then the prop piano. This exact same scene was replicated by Syd Chaplin (Charlie's half-brother) years later in THE BETTER 'OLE.