Royal Wedding (1951)
8/10
More than Dancing on the Ceiling...
13 July 2006
ROYAL WEDDING was a colorful and splashy MGM musical that turned out to be one of Fred Astaire's best offerings, despite the initial trouble insuring a leading lady for the project. The film was originally planned for Fred and June Allyson, who had to drop out when she learned she was pregnant. Judy Garland was then approached, as the studio had been anxious to reunite her with Astaire since their triumph in EASTER PARADE, but Judy began her now-famous behavior patterns of showing up late on the set all the time or not at all, and Astaire was not having that, so Jane Powell was finally brought in to take the role. Astaire and Powell play Tom and Ellen Bowen, a brother and sister song and dance team who have been tapped to perform at a royal wedding in London (I believe it's the Queen who has requested they perform), so they take a cruise ship to London. On the ship Ellen meets a debonair playboy (Peter Lawford) and at the London auditions, Tom falls for a dancer (Sarah Churchill)who he casts in the chorus of his show. This breezy plot provides the backdrop for several showstopping numbers, the most famous of which is "You're all the World to Me" in which Astaire, while staring at a photo of Churchill, is so head over heels in love that he dances on the floor, the walls, and the ceiling. Movie historians have argued for years about how this scene was done and frankly, I don't care...it's such a joyous expression of love through dance that nothing else really matters. Astaire also has a solo called "Sunday Jumps" where his partner is a hat rack and, as always, Fred makes his partner look good. There's also a showstopping duet with Astaire and Powell called "How Could you Believe me when I said I loved you when you know I've been a liar all my life?" which features Fred as a slick gangster and a surprising Powell, as a brunette, gum-chewing floozy. Liner notes from the soundtrack album claim that this song was written by composers Alan Jay Lerner and Burton Lane in a limo on the way to the studio one day. Despite a wooden performance from Sarah Churchill, daughter of former Prime Minister Winston Churchill, this musical is a joy and one of the best from the MGM stable.
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