The Decalogue (1989–1990)
10/10
Very good and engaging
31 July 2006
Warning: Spoilers
What I'm hoping to do with a review of the Decalogue is to use this review as a review of the overall effect of the series, with a separate and more in-depth review for each episode.

The series itself is one of those works that bleeds profundity and symbolism in everything it does. A bunch of short--yet highly well-rounded and fully developed--character dramas dealing with Universal themes of ethics, love, passion, and guilt, Kieslowski's Decalogue is a continuing but heavy portion of art and cinema and classical music, among other things.

While not all of theme are technically interwoven with each other, they do share visual and thematic motifs with uses of color, recurrent props and sets, and a distinctive wide-angle lens close-up framing that helps the audience really look and regard every aspect of the character the film is following. This recurrent use of cinematography is held despite the actual production involving nine different cinematographers, which helps show the power of Kieslowski's personal vision and how he's able to bring it out on screen.

It's definitely not something that can, nor should, be watched in one sitting, but it is continually enjoyable throughout each episode.

--PolarisDiB
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