Ginger Rogers is good as the tough-talking woman sprung from prison to testify in a trial. What a strange career she had! Best known for her movies with Fred Astaire, she was also a delightful comedienne. She did some serious work in her prime, winning an Oscar for an only-OK soap opera. But she's good in "Primrose Path." She turned tough in many of her fifties outings, and she looked tough too. Here she has sort of a pixie haircut that doesn't quite work with the character and isn't flattering to her. But she's excellent.
Edward G. Robinson, billed second to her, is superb. He always was. That man was incapable of giving a bad performance, no matter how oddly cast he might have been at times. Brian Keith, whom many know for sunny outings in later television, is exceptional as a very tough cop. He really is the focus of this movie, though the Rogers character is the lead.
Who in the world was Lucy Marlow, who got fourth billing? It says prison girl. Hmm. The woman playing the matron, Katherine Anderson, is important to the plot. She is very touching as well.
Lorne Green is another actor who played some mean hombres before he became the benevolent dad on TV's "Bonanza." His character is less nuanced than the one he plays in "Autumn Leaves." But he does well by it.
Phil Karlson was an excellent director, who had some of the nastiest, darkest, roughest noirs of the fifties under his belt. This is among the best of them.
Edward G. Robinson, billed second to her, is superb. He always was. That man was incapable of giving a bad performance, no matter how oddly cast he might have been at times. Brian Keith, whom many know for sunny outings in later television, is exceptional as a very tough cop. He really is the focus of this movie, though the Rogers character is the lead.
Who in the world was Lucy Marlow, who got fourth billing? It says prison girl. Hmm. The woman playing the matron, Katherine Anderson, is important to the plot. She is very touching as well.
Lorne Green is another actor who played some mean hombres before he became the benevolent dad on TV's "Bonanza." His character is less nuanced than the one he plays in "Autumn Leaves." But he does well by it.
Phil Karlson was an excellent director, who had some of the nastiest, darkest, roughest noirs of the fifties under his belt. This is among the best of them.