Nor is it just "another one." It's an unabashed, silly comedy where being gay is strictly a non-issue.
It's also a non-stop string of sex jokes from beginning to end, rather like a queer "American Pie" or "Porky's." In the showing I attended, it looked like a 100% gay audience, so it was interesting to take a laugh-meter reading of their response. I'd say about a third belly-laughter, another third moderate chuckles, and the rest sort of just sat there.
Director-screenplay writer Todd Stephens attempts spoof every sex situation imaginable, with varying degrees of success. There's a dramatic scene from his own "Edge of Seventeen," along with other pop film and TV sitcom episodes. All become grist for Stephens' raunchy, horny mill.
It's a loud, insane, in-your-face frolic that at times assaults the senses. The result: a new low--or high--in bad taste, depending upon your point of view.
For sure, it's not just another gay movie; rather, a compendium of how far we've come and where we now are in colloquial film comedy.
Makes one wonder, what's next?
It's also a non-stop string of sex jokes from beginning to end, rather like a queer "American Pie" or "Porky's." In the showing I attended, it looked like a 100% gay audience, so it was interesting to take a laugh-meter reading of their response. I'd say about a third belly-laughter, another third moderate chuckles, and the rest sort of just sat there.
Director-screenplay writer Todd Stephens attempts spoof every sex situation imaginable, with varying degrees of success. There's a dramatic scene from his own "Edge of Seventeen," along with other pop film and TV sitcom episodes. All become grist for Stephens' raunchy, horny mill.
It's a loud, insane, in-your-face frolic that at times assaults the senses. The result: a new low--or high--in bad taste, depending upon your point of view.
For sure, it's not just another gay movie; rather, a compendium of how far we've come and where we now are in colloquial film comedy.
Makes one wonder, what's next?