I can see why Debra Winger went into a self-imposed exile after this tiresome 1995 studio product, as she looks ill-at-ease as a romantic comedy lead. Here is an accomplished actress who seizes roles with a palpable life force when she is in the right vehicle. However, Winger seems lost playing against the stand-up shenanigans of Billy Crystal, and consequently they never really connect in any believable way. Much of the blame has to be placed on Crystal, who not only starred but also directed and co-wrote the film with Lowell Ganz and Babaloo Mandel. He seems intent on doing a retread of "When Harry Met Sally" but this time following a seemingly incompatible couple through marital discord.
Crystal plays Mickey Gordon, an NBA referee who tries to abide by his estranged father's wishes to be buried in France. The airline has unfortunately lost the casket, and their Paris-based customer relations executive Ellen Andrews tries to correct things for Mickey. Of course, they fall in love since it is Paris, and they get married almost immediately. Complications ensue with Mickey on the road and Ellen unable to conceive a baby. The central conceit of the film is its framing device, a dinner where a group of their friends congregate and share their remembrances of Mickey and Ellen's courtship and marital problems. How they are able to relay such intimate details is never really addressed since it's a plotting contrivance we are supposed to accept.
The other problem is that Crystal is not really acting here but performing his comedy routine as Mickey. Many of his lines sound overly familiar with many of the jokes having a forced feeling, and the role is virtually interchangeable with his Harry from the earlier film. Nevertheless, there are some truly funny bits, such as the running gag with Ellen's senile father (played by a befuddled William Hickey) repeating road signs in the car and the scene with the pigeon getting stuck to the side of Ellen's head. But it's not nearly enough. A solid supporting cast has been assembled as the friends - Joe Mantegna, Julie Kavner (particularly funny), Richard Masur, Cathy Moriarty, John Spencer, Cynthia Stevenson - though they act more like a chorus to the proceedings. The inevitable ending feels hollow since the relationship never felt that resonant. Despite some attempts at serious moments during the second half, this is the type of lightweight film that doesn't linger too long in one's memory. The 2000 DVD has no extras.
Crystal plays Mickey Gordon, an NBA referee who tries to abide by his estranged father's wishes to be buried in France. The airline has unfortunately lost the casket, and their Paris-based customer relations executive Ellen Andrews tries to correct things for Mickey. Of course, they fall in love since it is Paris, and they get married almost immediately. Complications ensue with Mickey on the road and Ellen unable to conceive a baby. The central conceit of the film is its framing device, a dinner where a group of their friends congregate and share their remembrances of Mickey and Ellen's courtship and marital problems. How they are able to relay such intimate details is never really addressed since it's a plotting contrivance we are supposed to accept.
The other problem is that Crystal is not really acting here but performing his comedy routine as Mickey. Many of his lines sound overly familiar with many of the jokes having a forced feeling, and the role is virtually interchangeable with his Harry from the earlier film. Nevertheless, there are some truly funny bits, such as the running gag with Ellen's senile father (played by a befuddled William Hickey) repeating road signs in the car and the scene with the pigeon getting stuck to the side of Ellen's head. But it's not nearly enough. A solid supporting cast has been assembled as the friends - Joe Mantegna, Julie Kavner (particularly funny), Richard Masur, Cathy Moriarty, John Spencer, Cynthia Stevenson - though they act more like a chorus to the proceedings. The inevitable ending feels hollow since the relationship never felt that resonant. Despite some attempts at serious moments during the second half, this is the type of lightweight film that doesn't linger too long in one's memory. The 2000 DVD has no extras.