"A Slight Case of Murder" is a delightful gangster comedy written by the legendary Damon Runyon and directed by Lloyd Bacon. It's also a nice change of pace for star Edward G. Robinson who gets to display his comedic talents as he spoofs his gangster image.
Remy Marco (Robinson - in an obvious spoof of his "Rico" character in "Little Caesar") is a bootlegger who has made his fortune running illegal beer during prohibition. When prohibition ends, Marco proudly announces that he's going to be strictly legit, believing that he will no longer need strong arm tactics, and that he will continue to rake in the money from legal sales. What he doesn't realize is that because he's never actually tasted his own brew, is that it tastes awful.
Now that the public can buy well brewed better tasting beer legally, Marco sees his fortune disappear over the ensuing four years. On the verge of bankruptcy, he finds himself in debt over a half a million dollars and has to deal with two predatory bankers Post (John Litel) and Ritter (Eric Stanley) who are trying to foreclose on him.
Marco's daughter Mary (Jane Bryan) has returned home and plans to marry the bumbling State Trooper son, Dick Whitewood (Willard Parker) of business tycoon Paul Harvey. Marco and his wife Nora (Ruth Donnelly) plan to host an engagement party at their country house in Saratoga. What he doesn't know is that a rival gang has heisted $500K from bookies and are holed up in Marco's house.
With his three stooges, Mike (Allen Jenkins), Lefty (Edward Brophy and Gip (Harold Huber), Marco learns that four of the five gangsters have been murdered and their bodies left in a guest bedroom while the fifth hangs around trying to escape with the money. The satchel containing the money is found by an orphan with the distinguished moniker of Douglas Fairbanks Rosenbloom (Bobby Jordan), who had been brought by Marco from the orphanage for the weekend.
And then the fun starts.
Robinson proved that he could play comedy and ranked this film among his favorites. But Warner Bros. saw him as a gangster and so he had difficulty breaking away from that genre. After he left Warners in the early forties, he turned in a number of great performances notably in "Double Indemnity" (1944) and two FRitz Lang classics, "The Woman in the Window" (1944) and "Scarlett Street" (1945). Oddly enough, he returned to Warners Bros. in 1948 to play gangster Johnny Rocco in "Key Largo" (1948).
Remy Marco (Robinson - in an obvious spoof of his "Rico" character in "Little Caesar") is a bootlegger who has made his fortune running illegal beer during prohibition. When prohibition ends, Marco proudly announces that he's going to be strictly legit, believing that he will no longer need strong arm tactics, and that he will continue to rake in the money from legal sales. What he doesn't realize is that because he's never actually tasted his own brew, is that it tastes awful.
Now that the public can buy well brewed better tasting beer legally, Marco sees his fortune disappear over the ensuing four years. On the verge of bankruptcy, he finds himself in debt over a half a million dollars and has to deal with two predatory bankers Post (John Litel) and Ritter (Eric Stanley) who are trying to foreclose on him.
Marco's daughter Mary (Jane Bryan) has returned home and plans to marry the bumbling State Trooper son, Dick Whitewood (Willard Parker) of business tycoon Paul Harvey. Marco and his wife Nora (Ruth Donnelly) plan to host an engagement party at their country house in Saratoga. What he doesn't know is that a rival gang has heisted $500K from bookies and are holed up in Marco's house.
With his three stooges, Mike (Allen Jenkins), Lefty (Edward Brophy and Gip (Harold Huber), Marco learns that four of the five gangsters have been murdered and their bodies left in a guest bedroom while the fifth hangs around trying to escape with the money. The satchel containing the money is found by an orphan with the distinguished moniker of Douglas Fairbanks Rosenbloom (Bobby Jordan), who had been brought by Marco from the orphanage for the weekend.
And then the fun starts.
Robinson proved that he could play comedy and ranked this film among his favorites. But Warner Bros. saw him as a gangster and so he had difficulty breaking away from that genre. After he left Warners in the early forties, he turned in a number of great performances notably in "Double Indemnity" (1944) and two FRitz Lang classics, "The Woman in the Window" (1944) and "Scarlett Street" (1945). Oddly enough, he returned to Warners Bros. in 1948 to play gangster Johnny Rocco in "Key Largo" (1948).