Maybe identity theft affirms the irrelevance of who you think you are. All the world's a stage, and everyone is typecast. Apparently even someone with the reputed "range" of Cate Blanchett can't attract an audience by playing against (stereo)type, forced to measure up to acclaimed "classical" roles, like "An Ideal Husband" or "Elizabeth." Could even Brando "open" a movie? The characters in the film are stereotyped, as "risky." Even a great actress wouldn't be able to convince a loan officer to overlook a bad credit rating (even if only due to real identity theft), notwithstanding her ability to pretend to be someone else who can't pretend to be someone else. Is acting the last refuge of the identity thief? The film itself defied stereotyping, the ending revealing another genre, both good. The characters strive to rise above hard times. I wouldn't be surprised if compassion and despair could still coexist, like the Bible says, and here it still is news. Outstanding Neill.
Review of Little Fish
