John Waters certainly isn't everyone's cup of tea, but those who appreciate his sense of humor and his sense of bathos will love this film, and won't be satisfied (or fully appreciative of it) until they see it multiple times.
The fabulous Divine stars as Dawn Davenport, a juvenile delinquent turned stripper/petty thief/hooker/abusive mother turned shrewish wife/model/celebrity turned mass murderer turned death row inmate, and pulls the multiple transitions off flawlessly. (He/she also transitions into the role as the father of Dawn's daughter Taffy, the result of a Christmas day quickie - one of the most disgusting and hilarious sex scenes ever captured on film - at least for public viewing.) While Divine, Mink Stole (as teenage Taffy Davenport), and David Lochary (as Donald Dasher, the beauty salon owner) are the only actors with real ability, the rest of the oddball cast complements perfectly the oddball storyline and dialog.
I saw the film as a satire of life in America (or maybe life anywhere) - its obsession with celebrity, scandal, and materialism at the expense of family, faith, and true self-fulfillment, conveyed on film as only John Waters can.
The fabulous Divine stars as Dawn Davenport, a juvenile delinquent turned stripper/petty thief/hooker/abusive mother turned shrewish wife/model/celebrity turned mass murderer turned death row inmate, and pulls the multiple transitions off flawlessly. (He/she also transitions into the role as the father of Dawn's daughter Taffy, the result of a Christmas day quickie - one of the most disgusting and hilarious sex scenes ever captured on film - at least for public viewing.) While Divine, Mink Stole (as teenage Taffy Davenport), and David Lochary (as Donald Dasher, the beauty salon owner) are the only actors with real ability, the rest of the oddball cast complements perfectly the oddball storyline and dialog.
I saw the film as a satire of life in America (or maybe life anywhere) - its obsession with celebrity, scandal, and materialism at the expense of family, faith, and true self-fulfillment, conveyed on film as only John Waters can.