Dreadnaught is largely unknown these days compared to 1979's 'Magnificent Butcher" (Lin Shi Rong) despite the fact that they have a great deal in common from the director Yuen Woo-ping and writer Wong Jing, to some of the characters and a number of the actors - Yuen Biao, Hark-On Fung, Kwan Tak-Hing, Mei Sheng Fan and Ching Tan. This is a shame since despite Dreadnaught having fewer fight scenes of the quality of its predecessor, it has many things going for it.
Kwan Tak-Hing has terrific presence as Chinese folk hero Wong Fei-Hung and he gets far more screen time than in 'Magnificent Butcher' where he had a memorable role, but barely more than a cameo. He even gets more action in this one and though he is clearly doubled for much of these scenes, his manual dexterity for his age (around 76) alone is a great advertisement for the practising of martial arts to promote health.
Leung Kar-Yan is dependable as ever as Wong Fei-Hung's headstrong student Leung Foon. Yuen Biao plays the cowardly 'Mousy' who wants to learn to fight, not knowing that he has been learning a special style of kung fu from his sister at the laundry. This means he does little fighting for much of the film which is not as bad as it sounds since he gets to show off his remarkable athleticism more. Yuen Shun-Yee steals the show as the mentally deranged serial killer and his high energy performance adds greatly to the impact and tone of the film.
Yuen Woo-ping and his team have done another great job with the choreography, especially the lion dancing which is the clear highlight of the action. The taut fight scenes are very well done also, especially fitting the psychotic personality of the the main villain.
Too many different themes have been trying to be built into the running time - horror, comedy, action and romance - for all to be really successful. It is a pity that the cheesy humour could not have been left out as this would have made a improvement to the atmosphere which is great in periods such as the chilling build-up to the final showdown. Also the romantic theme is dropped long before the end of the film with no real resolution.
Nevertheless 'Dreadnaught' is well worth watching for the quality of some of the performances, the kung fu and also for anybody interested in the number of films loosely based around the life of Wong Fei-Hung.
Kwan Tak-Hing has terrific presence as Chinese folk hero Wong Fei-Hung and he gets far more screen time than in 'Magnificent Butcher' where he had a memorable role, but barely more than a cameo. He even gets more action in this one and though he is clearly doubled for much of these scenes, his manual dexterity for his age (around 76) alone is a great advertisement for the practising of martial arts to promote health.
Leung Kar-Yan is dependable as ever as Wong Fei-Hung's headstrong student Leung Foon. Yuen Biao plays the cowardly 'Mousy' who wants to learn to fight, not knowing that he has been learning a special style of kung fu from his sister at the laundry. This means he does little fighting for much of the film which is not as bad as it sounds since he gets to show off his remarkable athleticism more. Yuen Shun-Yee steals the show as the mentally deranged serial killer and his high energy performance adds greatly to the impact and tone of the film.
Yuen Woo-ping and his team have done another great job with the choreography, especially the lion dancing which is the clear highlight of the action. The taut fight scenes are very well done also, especially fitting the psychotic personality of the the main villain.
Too many different themes have been trying to be built into the running time - horror, comedy, action and romance - for all to be really successful. It is a pity that the cheesy humour could not have been left out as this would have made a improvement to the atmosphere which is great in periods such as the chilling build-up to the final showdown. Also the romantic theme is dropped long before the end of the film with no real resolution.
Nevertheless 'Dreadnaught' is well worth watching for the quality of some of the performances, the kung fu and also for anybody interested in the number of films loosely based around the life of Wong Fei-Hung.