The First 48 (2004– )
10/10
The Job
2 March 2007
Warning: Spoilers
The First 48 is police work as it is, without the high production values (light filters, Massive Attack tunes, and clean crime labs) and professional writing staffs. The documentary style brings the viewer right into the investigations and presents the Job better than Dennis Leary ever could.

Each episode, as far as I can tell, is divided into two separate story lines that follows the course of two cases in different cities. Dallas, Phoenix, Kansas City, Detroit, Memphis and Miami tend to dominate the series. It would do the show well to expand to other cities, yet to be CSIed like Seattle, San Francisco, Chicago, Buffalo, Houston, New Haven, and Montreal even. These cases are not always resolved in the critical first two days of an investigation, and this lets the public audience in on the life of Homicide detectives.

The life entails long shifts without sleep, spent following leads and witnesses that often times don't have anything to offer the investigation. When the cases are brought to trial, the evidence and the story tends to present itself serendipitously and when the cases go nowhere the show remains resolved. Homicide Detectives invest their lives into those of the Dead, and it becomes clear how important their work truly is for safety and protection of the rest of us.

The better fictional police shows on Network Television, Cable and HBO, like CSI, the Closer, the Wire and the Helen Mirren PrimeSuspect series follow the precepts of the First 48. Bad things can happen and cases become cold and forgotten, buried underneath new homicides. Despite this, the First 48 is refreshing because it shows the Police as human beings, subject to the imperfections that most Television shows fail to recognize or portray as more than caricatures, artificial dialogue devices and empty.

The series is well-edited and paced. It has pleasant time-lapse photography of cityscapes to serve as transitions to contain the 'action' within an hour-long show, and the separate cases breaks up the monotony. If you are looking for non-stop action, thrilling car cases, and low-cut sweaters; this show is not for you.

Its real. Its boring, but its Real. A&E has another terrific show to compliment its catalogue and its a lot less preachy than Dog: The Bounty Hunter.
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