Every French pupil of the sixties or even the seventies knows "Crin-Blanc",one of the major works of Albert Lamorisse who used to make films aimed at the children's market: "Bim Le Petit Ane" "Le Voyage en Ballon" and "le Ballon Rouge" are of the same kind.The French critic remains tepid as far as they are concerned,but abroad all are praised as masterpieces of moving poetry.
Let's take the golden middle:masterpieces,there are certainly not,but representative of an era ,the era of Doisneau's photographs and pupils in grey overall,they certainly are.
Whereas "le Ballon Rouge " depicted a graying urban landscape,"Crin-Blanc" takes place in Camargue with its wild horses ,including ,the wildest of them all,"Crin-Blanc ".But the two movies have the same conclusion: both Folco and Pascal cannot live in the men's world and both escape from their world,one flew over Paris with his magic balloon and the other returned to the (new christening?) waters of the river with his mythical horse.
Let's take the golden middle:masterpieces,there are certainly not,but representative of an era ,the era of Doisneau's photographs and pupils in grey overall,they certainly are.
Whereas "le Ballon Rouge " depicted a graying urban landscape,"Crin-Blanc" takes place in Camargue with its wild horses ,including ,the wildest of them all,"Crin-Blanc ".But the two movies have the same conclusion: both Folco and Pascal cannot live in the men's world and both escape from their world,one flew over Paris with his magic balloon and the other returned to the (new christening?) waters of the river with his mythical horse.