Charlie and Lola (2005–2008)
9/10
Knocks you off your feet.
4 April 2007
For starters, Lola Sonner is one of the most realistic characters ever devised for a children's cartoon, and maybe even for TV shows in general. Based on an actual Danish girl who writer Lauren Child met on a train, she might feel eerily familiar for anyone who ever dealt with kids - and that's due to both small, simple acts such as "typing" a letter and then "reading" individual letters out loud as if they meant anything, and to her attitude and personality in general. As for Charlie, well, Mr. and Mrs. Sonner should thank all deities daily for having him, heh heh.

Now, onto the show itself. The two title characters form the very core of the show, Lola being the 4-year-old sister of 7-year-old Charlie. He narrates the stories, which are almost all built out of very banal, commonplace, "house held" topics. The trick lies on everything that surrounds the stories. The animation mixes childlike drawings with fancy montages of real pictures, and through any episode, you'll never know if, the next minute, you'll be watching a simple scene depicting children talking or a delightfully abstract montage mixing imagination with true visual symphonies. Charlie narrates the stories, though the narration only pops up once in a while. Most of the time, we're focused on the characters - which includes their neighbour Marv and his dog Sizzles, Lola's classmate and best friend Lotta, and Lola's imaginary friend, the cleverly named Soren Lorenson. They are all insanely realistic, special, likable and fun to watch, so the "banal" stories really do turn into something else entirely - a very rich, profound and gentle kind of entertainment and storytelling which is enlightening and constructive for people of all ages.

Another interesting aspect of the show is that the voices are done by actual children. The actors are different for each season, but the changes aren't really too noticeable. The British accents are extreme, and for fans of British accents (like me), that's a thrill and a half. And the music is exceptional - not only the eccentric, catchy theme tune by Tom Dyson and Søren Munk, but most incidental tunes, which sometimes form the backing of choreographies and "mini musicals" within the stories. Basically, everything works here. Let this be a recommendation for parents, kids, and everyone else. And if Lauren Child's books are available to you, get them too.
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