I know more people who quote lines from THE PRODUCERS than from Shakespeare; make of that what you will! :-) That said, people seem to either love it or hate it, but most folks I know agree this nutzoid farce has, to quote groovy LSD (delightful Dick Shawn), "Love Power!" Writer/director Mel Brooks' insanely zany yet strangely sweet tale of down-on-his-luck Broadway producer Max Bialystock (the great Zero Mostel, who should have been nominated for an Oscar himself) who uses his powers of persuasion (and wheedling, and bellowing, and conning :-) to convince meek accountant Leo Bloom (justifiably Oscar-nominated Gene Wilder) to help him make a surefire Broadway flop that, if their nutty book-cooking scheme works, will land them in Rio -- or, if it doesn't work, Sing Sing. This screamingly funny, no-holds-barred comedy won Mel Brooks an Oscar for Best Screenplay and put the former YOUR SHOW OF SHOWS writer on the map as a filmmaker. Anyone trying to make a comedy depending on controversy and questionable taste for its laughs should watch THE PRODUCERS first and see how a master does it! For that matter, Mel Brooks and Gene Wilder ought to watch it again themselves; after the duds they were churning out for a while there, maybe they need a refresher course in how to be funny. (Hell, it might be as simple as them teaming up again; Wilder seemed able to temper Brooks's mania for poo-poo humor and Brooks seemed able to help Wilder to better balance out his trademark blend of shrill hysteria and sweetness.) Much as my family and I also loved the Broadway and film editions of the musical version co-written by Brooks and Thomas Meehan and starring the incomparable Nathan Lane and Matthew Broderick (even though I felt that Broderick wasn't quite as good as Leo Bloom as Lane was as Max Bialystock. That said, together they have great buddy chemistry), the original is still the champ.