No other actor has had a career filled with more idiosyncratic roles than Peter O'Toole, and his role in "The Ruling Class" is perhaps the most idiosyncratic of them all.
O'Toole plays the heir to a British House of Lords who dies accidentally (and bizarrely), leaving his family to hash out the estate. The family is much disturbed by the fact that O'Toole is the heir -- understandably so, since he believes that he's Jesus Christ. Much wackiness ensues, until O'Toole has a change of perspective and decides that instead of Christ, he's Jack the Ripper. More wackiness ensues, the film gets darker and darker in that way that only British films can, and the whole thing may leave you scratching your head but will no doubt also leave you gloriously entertained.
For O'Toole fans, this is a chance to see him single-handedly carry a delirious mess of a movie on his shoulders, and make a rousing success out of it. Much of it doesn't make a lot of sense, but it's all a hoot, especially the impromptu musical numbers peppered throughout the film. There's some scathing satire aimed at the British class system, but it's nothing you haven't seen before, and the whole film has the feeling of being the pet project of an undisciplined director. But I highly recommend this, because you've never seen anything quite like it, and it's a chance to see one of our generation's greatest actors strutting his stuff like the pro that he is.
Grade: A
O'Toole plays the heir to a British House of Lords who dies accidentally (and bizarrely), leaving his family to hash out the estate. The family is much disturbed by the fact that O'Toole is the heir -- understandably so, since he believes that he's Jesus Christ. Much wackiness ensues, until O'Toole has a change of perspective and decides that instead of Christ, he's Jack the Ripper. More wackiness ensues, the film gets darker and darker in that way that only British films can, and the whole thing may leave you scratching your head but will no doubt also leave you gloriously entertained.
For O'Toole fans, this is a chance to see him single-handedly carry a delirious mess of a movie on his shoulders, and make a rousing success out of it. Much of it doesn't make a lot of sense, but it's all a hoot, especially the impromptu musical numbers peppered throughout the film. There's some scathing satire aimed at the British class system, but it's nothing you haven't seen before, and the whole film has the feeling of being the pet project of an undisciplined director. But I highly recommend this, because you've never seen anything quite like it, and it's a chance to see one of our generation's greatest actors strutting his stuff like the pro that he is.
Grade: A