It's a cinematic tradition: the handsome young man who insinuates himself into a household of boring bourgeois types and stirs things up. Terence Stamp did it in Teorema, Robert Forster in Reflections in a Golden Eye, Peter McEnery in Entertaining Mr. Sloane, Will Smith in Six Degrees of Separation. Here, the young man is a bisexual who quickly wins the heart of a frustrated Miou-Miou and disturbs the dull, penny-pinching boss of a dry cleaners, Berling. The script and direction by Anne Fontaine are assured, but the ending may leave some viewers perplexed (it did me), as it seems to come out of nowhere.
Stanislas Merhar deserved the Most Promising Actor Cesar that he won as the pretty boy; you can readily see why the wife can't get enough of his caresses. Charles Berling often plays men who suffer in silence; he has a wonderful way of tightening his mouth that speaks volumes, and here he's very good as the husband.
Stanislas Merhar deserved the Most Promising Actor Cesar that he won as the pretty boy; you can readily see why the wife can't get enough of his caresses. Charles Berling often plays men who suffer in silence; he has a wonderful way of tightening his mouth that speaks volumes, and here he's very good as the husband.