I was expecting for quite a while to see this movie, which is kind of a legend in the history of the Romanian cinema. Filmed at the beginning of the 80s and inspired by the work of the genial humorist and play-writer Caragiale, the film was banned until the fall of the Communist rule. Caragiale who lived and wrote 80-90 years ago was too actual and too subversive for the Romanian censorship, and so was the treatment he received under the hands of Pintilie, one of the greatest film and theater directors of Romania.
And yet I was disappointed, because the film is too much marked by the poor technical means of the Romanian cinema of that time. It is not that the film lacks vision. Using texts from Caragiale's plays and short stories Pintile creates a vision of Romanian low class suburbs ('mahala') which is both true to the past and present but also somehow prophetic for what Romania went through after the fall of the communism. An exquisite team of the best Romanian comedy actors gives great performances, with Mariana Mihutz shining over all other. And yet, the story telling lacks fluency, and the rhythms and colors are too often broken by the confusion created by poor technical quality. Too bad - this could have been a masterpiece of the Romanian cinema.
And yet I was disappointed, because the film is too much marked by the poor technical means of the Romanian cinema of that time. It is not that the film lacks vision. Using texts from Caragiale's plays and short stories Pintile creates a vision of Romanian low class suburbs ('mahala') which is both true to the past and present but also somehow prophetic for what Romania went through after the fall of the communism. An exquisite team of the best Romanian comedy actors gives great performances, with Mariana Mihutz shining over all other. And yet, the story telling lacks fluency, and the rhythms and colors are too often broken by the confusion created by poor technical quality. Too bad - this could have been a masterpiece of the Romanian cinema.