A young man named Terry Lambert (Steve Guttenberg) has a romantic fling with his bosses' wife. With their bedroom "activities" in progress, an outside assault occurs that gets Lambert involved, ultimately in murder.
The film's underlying "all for love" theme is not really credible. Plot contrivances, along with incredulous coincidences and improbable timing imply a screenplay that was not well thought out. Further, the lead role in this film calls for a serious actor who can express some feeling. "Police Academy" Guttenberg, boyish and goofy looking, does not lend credibility to the role. That, combined with a dubious script closes any window of believability in this overwrought thriller. And that's too bad because "The Bedroom Window" does present a fairly engaging noir look, as a result of some great lighting and camera work. Production design is also quite good.
The film's visual style is about all I can recommend in the way of interest. The ending is rather melodramatic, and includes some unintentional humor in some scenes that involve a man in a phone booth.
The film's underlying "all for love" theme is not really credible. Plot contrivances, along with incredulous coincidences and improbable timing imply a screenplay that was not well thought out. Further, the lead role in this film calls for a serious actor who can express some feeling. "Police Academy" Guttenberg, boyish and goofy looking, does not lend credibility to the role. That, combined with a dubious script closes any window of believability in this overwrought thriller. And that's too bad because "The Bedroom Window" does present a fairly engaging noir look, as a result of some great lighting and camera work. Production design is also quite good.
The film's visual style is about all I can recommend in the way of interest. The ending is rather melodramatic, and includes some unintentional humor in some scenes that involve a man in a phone booth.