Bruno Dumont seems to create controversy in every one of his films, but I've only seen "Flandres" and "L'Humanite. " Dumont's film language is very bleak and very stark. He uses little to no soundtrack music, letting ambient sound to substitute. His characters seem to writhe in a painfully prosaic film world, their experiences and torments more vivid for the lack of melodrama.
Demeste (Samuel Boidin) and Barbe (Adélaïde Leroux) have a complicated romantic relationship in a rural farming village somewhere in Francophone Europe. Barbe is promiscuous with other men, yet Demeste seems to permit the trysts without comment. You only see his brooding glares. All the young men in the area enlist to go off for war somewhere in an Arab desert. They young soldiers take their emotional baggage with them into this hostile environment. There are fistfights in the camp, firefights in the field, and no one understands the language or mannerisms of the locals. Inevitably, acts of war become acts of war crimes. Seemly normal guys go off to war and become brutal Neanderthals murdering, molesting and bailing. The survivors, like all survivors, are left to try and understand what happened and what they've become.
Demeste (Samuel Boidin) and Barbe (Adélaïde Leroux) have a complicated romantic relationship in a rural farming village somewhere in Francophone Europe. Barbe is promiscuous with other men, yet Demeste seems to permit the trysts without comment. You only see his brooding glares. All the young men in the area enlist to go off for war somewhere in an Arab desert. They young soldiers take their emotional baggage with them into this hostile environment. There are fistfights in the camp, firefights in the field, and no one understands the language or mannerisms of the locals. Inevitably, acts of war become acts of war crimes. Seemly normal guys go off to war and become brutal Neanderthals murdering, molesting and bailing. The survivors, like all survivors, are left to try and understand what happened and what they've become.