Typically enjoyable Fred Astaire vehicle from the 50's and if not on a par with the wonderful "The Bandwagon", "Royal Wedding" certainly deserves a podium position for its vibrant colours (in some scenes, you almost think you're seeing all seven colours of the rainbow in the shot!), fine cinematography (London is faithfully rendered with cobbled streets, red buses and postboxes, even a pea-souper before the "Clean Air" Act was passed later in the decade), topped of course by Astaire's superb dancing. Okay, he's way too old to be Jane Powell's brother and the plot is wafer thin as per usual with Fred's flicks, but his dancing both solo, including the celebrated "Dancing on the Ceiling" scene (later updated by director Donen in the 80's for pop star Lionel Richie's hit song of the same name), but including almost as good scenes dancing with the ship's gym equipment and in another scene, the room furniture, including his hatstand and in concert with the young vibrant Powell, he shines. She can dance by the way... The songs didn't quite connect with me apart from the riotously funny "How Could you Believe Me When I Said Loved You when You Know I've been a Liar all my Life"(surely a country and western song-title from heaven!), but then Fred hasn't the greatest voice and Powell's light operatic warblings don't move me much either. In the minor parts, a young Peter Lawford lords it up, improbably, as an - ahem - English lord, while Sarah Churchill, the great war leader's niece, no less, seems a tad plain both in appearance and her minimal dancing efforts. The humour, centring mainly on the different takes on the languages from the US and UK perspectives, is somewhat forced too but maestro Donen exerts a sure hand at the helm, from the stylish "wedding invitation" titles to the fly-away pan-out shot over London at the close. A pleasant underrated musical comedy with which to while away an afternoon or evening.
Review of Royal Wedding
