In this era of stem cell research, where genetic re-programming results in human heart cells beating in a Petrie dish, perhaps The Eye's premise of cellular memory is not so far-fetched. Blinded during a childhood accident, gorgeous and gifted first violinist Sydney Wells (Jessica Alba) undergoes a corneal transplant. Previously confident in the dark, sweet Sydney's secure world becomes terrifying when she finds she can see not only dead people, but the prophetic visions of the former owner of her newly restored vision.
Everyone around her thinks she's going mad, from her unsympathetic maestro to her concerned sister Helen (played poorly by an underused and under directed Parker Posey) to her conflicted doctor in an underwritten and choppy character arc. (Is Alessandro Nivola playing an eye doctor or a psychoanalyst? Is he a staunch professional or driven by love to cross the line?) Sydney feels compelled to decipher her visions, sensing that if she does, the troubled spirit of the original donor may finally find peace.
Directorial flaws aside, The Eye's strengths lie in its superb visuals, effective scares and, above all, the impressive and convincing performance of its leading lady. Appearing in virtually every scene, Alba has you blinking tears when her eyes sting and second-guessing your own eyes when you see what she sees.
A remake of the Pang Brothers 2002 Hong Kong hit Gin gwai, The Eye is actually a Hollywood rip-off, traversing the familiar territory of recent thriller Blink, 1978's Eyes of Laura Mars and even Roger Corman's 1963 horror pic X: The Man With X-Ray Eyes.
The Eye has satisfying echoes of J horror plus ghost stories such as The Sixth Sense and The Others.
Everyone around her thinks she's going mad, from her unsympathetic maestro to her concerned sister Helen (played poorly by an underused and under directed Parker Posey) to her conflicted doctor in an underwritten and choppy character arc. (Is Alessandro Nivola playing an eye doctor or a psychoanalyst? Is he a staunch professional or driven by love to cross the line?) Sydney feels compelled to decipher her visions, sensing that if she does, the troubled spirit of the original donor may finally find peace.
Directorial flaws aside, The Eye's strengths lie in its superb visuals, effective scares and, above all, the impressive and convincing performance of its leading lady. Appearing in virtually every scene, Alba has you blinking tears when her eyes sting and second-guessing your own eyes when you see what she sees.
A remake of the Pang Brothers 2002 Hong Kong hit Gin gwai, The Eye is actually a Hollywood rip-off, traversing the familiar territory of recent thriller Blink, 1978's Eyes of Laura Mars and even Roger Corman's 1963 horror pic X: The Man With X-Ray Eyes.
The Eye has satisfying echoes of J horror plus ghost stories such as The Sixth Sense and The Others.