In the mid-fifties, Albert Lamorisse produced two beautiful, but strangely distant films, "The RedBalloon" and "White Mane". "Red Balloon" has been available and remained somewhat popular, while "White Mane" all but disappeared. Its re-emergence is welcome, as it offers intensely compelling black and white imagery, cinematography that is a cross between Ansel Adams and Atget, in its rich tones, dramatic light, and epic feel.
Red Balloon, offers an interesting contrast. Paris is all muted earth tones and grays, with the balloons offering the only vivid colors. It is also interesting to remember that World War II was less than a decade earlier.
Little Pascal, the director's son, is seen in both films, always appealing never "cute", but somehow distant. We don't really know him except as "the little boy".
The two films are wonderful artifacts from a time when film was more art than marketing.
Red Balloon, offers an interesting contrast. Paris is all muted earth tones and grays, with the balloons offering the only vivid colors. It is also interesting to remember that World War II was less than a decade earlier.
Little Pascal, the director's son, is seen in both films, always appealing never "cute", but somehow distant. We don't really know him except as "the little boy".
The two films are wonderful artifacts from a time when film was more art than marketing.