Amazingly in your face cinema from director Danny Boyle and writer John Hodge. Adapted form Irvine Welsh's novel, this is the story of four desperate heroine addicts who chose hard drugs rather than life. Instead of the drudgery of the every day, they prefer the ecstatic rush of the heroine hit.
Audiences will have to ride through the early scenes that may put you off public toilets (among other things) for life. If you are even the least bit queasy, then "Trainspotting" is one film you should avoid. Containing much 'toilet' humour and graphic drug use scenes, this is not cinema for the faint hearted.
Once you've adapted to Boyle's full on style (which contains some violence too), then you can really start to appreciate the sharp, incisive script from John Hodge, with its clever, biting humour which forces you to laugh at a way of life that is as close to rock bottom as you can get. Boyle and Hodge have given their film a unique Scottish feel, and the culture and psyche of Edinburgh's down and out comes through brilliantly.
Of course there is the question of whether this flick glorifies drug addiction. Some aspects of the abuse of heroine are conveyed as a fantastic rush and a great escape, generally though the addicts are shown to be no-hopers headed for nothing but death and destruction.
The other immensely enjoyable aspect of "Trainspotting" is the fantastic cast. Ewan McGregor heads up the young thesps as "Mark Renton", the central figure in the story and the only guy we really hold out any hope for. Backing him up is Ewen Bremner as "Spud", the nervous young lad whose fetish for "speed" makes him very excitable. Jonny Lee Miller is "Sick Boy", another rather twisted individual whom we find has a heart beneath his deceptive, tough exterior. But the real psycho is Begbie (Robert Carlyle), a guy who wouldn't touch hard drugs and believes that those who use them are soft in the head. His violent temper and passion for brawling make him a distinctly unlikeable chap. Then there's Tommy (Kevin McKidd), straight guy and fitness freak who enjoys taping erotic encounters with long term love Liz. Finally there is young Diane, a feisty femme who proves a handful, and a surprise, for young Renton. All performances from this collective band are strong, with McGregor the shining beacon at the top.
Brian Tufano delivers some confronting cinematography, Masahiro Hirakubo supplies the sharp editing and the soundtrack contains a fresh collection of trendy tunes.
Tuesday, July 2, 1996 - Hoyts Cinema Centre Melbourne
Seeing Danny Boyle's "Trainspotting" for a second time really helps clarify what the movie is about, and that is what a dreadful life one can have if one chooses a drug of addiction such as heroin. On the other hand, if one chooses life, it can be a very intoxicating drug, as young Renton finally discovers.
Standouts are still Boyle's in your face direction which leaves no aspect of the destitution of drug abuse untouched, and the performances from Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd, Robert Caarlyle and Kelly McDonald which bring to life the vivid characters who live this sorry existence.
A groovy soundtrack accompanies Boyle's innovative film.
Monday, April 7, 1997 - Hoyts Croydon
Audiences will have to ride through the early scenes that may put you off public toilets (among other things) for life. If you are even the least bit queasy, then "Trainspotting" is one film you should avoid. Containing much 'toilet' humour and graphic drug use scenes, this is not cinema for the faint hearted.
Once you've adapted to Boyle's full on style (which contains some violence too), then you can really start to appreciate the sharp, incisive script from John Hodge, with its clever, biting humour which forces you to laugh at a way of life that is as close to rock bottom as you can get. Boyle and Hodge have given their film a unique Scottish feel, and the culture and psyche of Edinburgh's down and out comes through brilliantly.
Of course there is the question of whether this flick glorifies drug addiction. Some aspects of the abuse of heroine are conveyed as a fantastic rush and a great escape, generally though the addicts are shown to be no-hopers headed for nothing but death and destruction.
The other immensely enjoyable aspect of "Trainspotting" is the fantastic cast. Ewan McGregor heads up the young thesps as "Mark Renton", the central figure in the story and the only guy we really hold out any hope for. Backing him up is Ewen Bremner as "Spud", the nervous young lad whose fetish for "speed" makes him very excitable. Jonny Lee Miller is "Sick Boy", another rather twisted individual whom we find has a heart beneath his deceptive, tough exterior. But the real psycho is Begbie (Robert Carlyle), a guy who wouldn't touch hard drugs and believes that those who use them are soft in the head. His violent temper and passion for brawling make him a distinctly unlikeable chap. Then there's Tommy (Kevin McKidd), straight guy and fitness freak who enjoys taping erotic encounters with long term love Liz. Finally there is young Diane, a feisty femme who proves a handful, and a surprise, for young Renton. All performances from this collective band are strong, with McGregor the shining beacon at the top.
Brian Tufano delivers some confronting cinematography, Masahiro Hirakubo supplies the sharp editing and the soundtrack contains a fresh collection of trendy tunes.
Tuesday, July 2, 1996 - Hoyts Cinema Centre Melbourne
Seeing Danny Boyle's "Trainspotting" for a second time really helps clarify what the movie is about, and that is what a dreadful life one can have if one chooses a drug of addiction such as heroin. On the other hand, if one chooses life, it can be a very intoxicating drug, as young Renton finally discovers.
Standouts are still Boyle's in your face direction which leaves no aspect of the destitution of drug abuse untouched, and the performances from Ewan McGregor, Ewen Bremner, Jonny Lee Miller, Kevin McKidd, Robert Caarlyle and Kelly McDonald which bring to life the vivid characters who live this sorry existence.
A groovy soundtrack accompanies Boyle's innovative film.
Monday, April 7, 1997 - Hoyts Croydon