It's too easy to dismiss this film as just another dump on an Orthodox Community and/or the West Bank settlements. There really is a Bnei Akiva and settlements so I can see this kind of thing happening. Probably because I'm not Jewish I can see that the film depicts universal situations that could likely happen in any country or culture other than Bnei Akiva or Orthodox Judaism. I've been at church camps where the "bad boys" have sung dirty songs in a corner by themselves. I haven't seen sexual molestation as happens in this film but I wouldn't say that it's never happened at a church camp. Leaders all over the world try to cover up a scandal the way Motke tries, doing the wrong thing just to preserve the image of their business (organization, political movement, whatever). The search for love is the most universal desire of all. Rachel and Yossi are in a situation where it's extremely difficult to find love, when we're over 40. It happens but not often enough. This film, like many films from countries with unpopular reputations, should have gained more recognition than it did.
Yehoram Gaon deserves special recognition for coming out of retirement to take on a small part in the film. He could have easily rested on his reputation but he assumes the role of a not particularly likable pompous ass and does it well. Yehoram Gaon was the teenage idol of Israel in the 1960's. He deserves special credit for allowing himself to be photographed old, balding and with his gut hanging over his cummerbund. That's real bravery. But he proves in this film he still has it as a singer in a memorable scene of a cantorial concert. Yehoram Gaon could sing chazanut to this Gentile for hours and I wouldn't mind.
Michaela Eshet also deserves special recognition for her portrayal of a single mother dealing with raising teenage daughters as she simultaneously goes on the dating market after her year of mourning. IMDb doesn't list many film performances of Michaela Eshet so I must assume that her expertise comes from the stage.
This is not a perfect film. The Hebrew title "Medurat Hashevet"should have been more literally translated into English as "Tribal Campfire" to provide a better description of the story line. It would have been better to see Tami's molesters punished, Motke demoted and all the other loose ends of the various situations tied up but there's only so much that can be accomplished in the standard two hours. I'll give this movie nine stars out of ten.
Yehoram Gaon deserves special recognition for coming out of retirement to take on a small part in the film. He could have easily rested on his reputation but he assumes the role of a not particularly likable pompous ass and does it well. Yehoram Gaon was the teenage idol of Israel in the 1960's. He deserves special credit for allowing himself to be photographed old, balding and with his gut hanging over his cummerbund. That's real bravery. But he proves in this film he still has it as a singer in a memorable scene of a cantorial concert. Yehoram Gaon could sing chazanut to this Gentile for hours and I wouldn't mind.
Michaela Eshet also deserves special recognition for her portrayal of a single mother dealing with raising teenage daughters as she simultaneously goes on the dating market after her year of mourning. IMDb doesn't list many film performances of Michaela Eshet so I must assume that her expertise comes from the stage.
This is not a perfect film. The Hebrew title "Medurat Hashevet"should have been more literally translated into English as "Tribal Campfire" to provide a better description of the story line. It would have been better to see Tami's molesters punished, Motke demoted and all the other loose ends of the various situations tied up but there's only so much that can be accomplished in the standard two hours. I'll give this movie nine stars out of ten.