A coastal Maine town is rocked by two vicious murders to traveling females which are similar to the deaths within a visiting troubled writer's novel, "The Reaper".
Famous novelist Luke Sinclair(Chris Sarandon), notorious for his grisly, detailed violence in his books, is struggling through writer's block deciding to get away for a spell hoping to tap into the primal side that unleashes the creativity which yields the stories that have made him such a success. He believes we all have an ability, primal, to kill, but many of us know how to control it. Government sends a forensic pathologist, Sonya Lehrman(Catherine Mary Stewart) to the town to assist the sheriff's department in the case. Sheriff Norris(Vlasta Vrana)doesn't make it easy for Sonya, as he's not used to being ordered around "by a girl." Sonya tries to cope with Norris' "backwards ways" while trying to find the serial killer before he copycats the final murder from the "Reaper" novel. Luke seems to know a great deal about how the murders might've occurred as Sonya interviewed him, probing his thoughts and feelings on the two open cases. His boozing, and not taking prescribed pills to assist a mental disorder certainly don't help Luke's standing while a killer is being pursued. Understanding the psychology of the killer also makes him an ideal suspect. Slowly Sonya begins to develop feelings for Luke as his life begins to crumble due to alcoholism, a souring marriage, and media coverage of his possible criminal involvement in a double-murder case. The film also offers a possibility of Sheriff Norris' less than polished career as a Boston detective and certain knowledge of a tattoo found on the second victim.
To be honest, without some nudity(..the sight of two naked bodies, not exactly elaborating too much as the director does a good job of removing the camera shortly after we first see them)and coarse language, "Reaper" actually plays like a Lifetime movie. The violence in this film is more discussed in details than shown. The film is quite dialogue, and performance driven. It's overall a detective thriller with multiple red herrings used to throw the viewer of the scent of who the killer really is. Some soapy melodrama thrown in with Luke and Sonya's developing feelings adding a bit of spice to the proceedings.
Famous novelist Luke Sinclair(Chris Sarandon), notorious for his grisly, detailed violence in his books, is struggling through writer's block deciding to get away for a spell hoping to tap into the primal side that unleashes the creativity which yields the stories that have made him such a success. He believes we all have an ability, primal, to kill, but many of us know how to control it. Government sends a forensic pathologist, Sonya Lehrman(Catherine Mary Stewart) to the town to assist the sheriff's department in the case. Sheriff Norris(Vlasta Vrana)doesn't make it easy for Sonya, as he's not used to being ordered around "by a girl." Sonya tries to cope with Norris' "backwards ways" while trying to find the serial killer before he copycats the final murder from the "Reaper" novel. Luke seems to know a great deal about how the murders might've occurred as Sonya interviewed him, probing his thoughts and feelings on the two open cases. His boozing, and not taking prescribed pills to assist a mental disorder certainly don't help Luke's standing while a killer is being pursued. Understanding the psychology of the killer also makes him an ideal suspect. Slowly Sonya begins to develop feelings for Luke as his life begins to crumble due to alcoholism, a souring marriage, and media coverage of his possible criminal involvement in a double-murder case. The film also offers a possibility of Sheriff Norris' less than polished career as a Boston detective and certain knowledge of a tattoo found on the second victim.
To be honest, without some nudity(..the sight of two naked bodies, not exactly elaborating too much as the director does a good job of removing the camera shortly after we first see them)and coarse language, "Reaper" actually plays like a Lifetime movie. The violence in this film is more discussed in details than shown. The film is quite dialogue, and performance driven. It's overall a detective thriller with multiple red herrings used to throw the viewer of the scent of who the killer really is. Some soapy melodrama thrown in with Luke and Sonya's developing feelings adding a bit of spice to the proceedings.