I purchased this as a gift for a friend, who had raved for the longest time about how enjoyable this film was. She was happy; I was bored.
The good: Bright, bubbly, effervescent Disney cinema. Excellent set design, with colourful sets. Tommy Steele is engaging, although his use of breaking the fourth wall becomes tedious after a while -- Dick Van Dyke he's not. Fred MacMurray surprised me. I'd forgotten that he actually did have a musical background, and while even Dennis Day would never have to fear his singing talent, he did manage to breathe emotion into his songs. (Not an easy task, considering how insipid the lyrics were.)
The bad: It's clear from the opening music that the intention of Walt Disney was to top Mary Poppins. Having set the bar that high to begin with, the film falters, sputters and stalls before it ever leaves the starting gate. The songs are forgettable. While the dancing is energetic, it's clear that the choreographer lifted the Chimney Sweep dance whole cloth from Mary Poppins, so few steps were changed.
The ugly: This is a movie in search of a plot. Whereas Meet Me in St. Louis had a brilliant score and strong direction to make up for its lack of plot, The Happiest Millionaire just drags. It's rather hard to cheer for MacMurray's Mr. Biddle, who is apparently a non-conformist who marches to his own drum, when he seems so white bread and square. (For the role as it should have been played, see Clifton Webb's turn in The Remarkable Mr. Pennypacker.) There's also some down home Disney politicization occurring in the film. MacMurray's Mr. Biddle is very much in favour of America's joining England and France in World War I. While no one expects a Disney film to readily acknowledge the horrors of war, at a time when gas attacks and the brutality of trench warfare were known (the film was set in 1916), MacMurray's gung-ho attitude is off-putting. As this film was released in 1967, at a time when US involvement in Vietnam was starting to turn), it's pretty obvious that Uncle Walt was attempting some kind of pro-war message.
The film is safe for children, and they'd likely find it enjoyable. However, you might want to show it in two parts. At nearly three hours, the padding is very visible.
The good: Bright, bubbly, effervescent Disney cinema. Excellent set design, with colourful sets. Tommy Steele is engaging, although his use of breaking the fourth wall becomes tedious after a while -- Dick Van Dyke he's not. Fred MacMurray surprised me. I'd forgotten that he actually did have a musical background, and while even Dennis Day would never have to fear his singing talent, he did manage to breathe emotion into his songs. (Not an easy task, considering how insipid the lyrics were.)
The bad: It's clear from the opening music that the intention of Walt Disney was to top Mary Poppins. Having set the bar that high to begin with, the film falters, sputters and stalls before it ever leaves the starting gate. The songs are forgettable. While the dancing is energetic, it's clear that the choreographer lifted the Chimney Sweep dance whole cloth from Mary Poppins, so few steps were changed.
The ugly: This is a movie in search of a plot. Whereas Meet Me in St. Louis had a brilliant score and strong direction to make up for its lack of plot, The Happiest Millionaire just drags. It's rather hard to cheer for MacMurray's Mr. Biddle, who is apparently a non-conformist who marches to his own drum, when he seems so white bread and square. (For the role as it should have been played, see Clifton Webb's turn in The Remarkable Mr. Pennypacker.) There's also some down home Disney politicization occurring in the film. MacMurray's Mr. Biddle is very much in favour of America's joining England and France in World War I. While no one expects a Disney film to readily acknowledge the horrors of war, at a time when gas attacks and the brutality of trench warfare were known (the film was set in 1916), MacMurray's gung-ho attitude is off-putting. As this film was released in 1967, at a time when US involvement in Vietnam was starting to turn), it's pretty obvious that Uncle Walt was attempting some kind of pro-war message.
The film is safe for children, and they'd likely find it enjoyable. However, you might want to show it in two parts. At nearly three hours, the padding is very visible.