It was always interesting to me how the writers at Paramount managed to rework some of the plots of their old classics to fit Martin and Lewis. In this next to last film Pardners, it's taken from the old Bing Crosby classic Rhythm On The Range. They even managed to get the old director of Bing's film Norman Taurog to direct.
Dean and Jerry are the sons of a pair of ranchers who were both killed in a range war. Dean's parents stayed west, but Agnes Moorehead as Jerry's mom, went East, made a ton of money and raised Jerry as the tenderest tenderfoot ever. Dean's now gone east and entered rodeo competition to win money for a prize bull named Cuddles. He meets up with Jerry who 'helps' him out in his usual manner.
Most of Rhythm on the Range involved Bing Crosby on the journey back west with Cuddles the bull and Frances Farmer where some romance develops. Since no one would confuse Frances with Jerry, the love interest has to be supplied elsewhere. Jerry's cousin Lori Nelson does this for Dean. In fact according to the Nick Tosches biography on Dean Martin, the interest was off the screen as well.
Jerry doesn't do too bad in this film either. He gets saloon girl and former Miss USA Jackie Loughrey. By that time Jerry's been made the sheriff and he's gotten the ire roused of one particular bad guy Jeff Morrow who thinks of Loughrey as his own. But in the end all's well and even the intergenerational range war has finally ended. Not without the usual broad comedic gags that are a Martin and Lewis specialty.
Bing made out miles better in his film than Dino did in the song department. Jimmy Van Heusen and Sammy Cahn wrote the score for Pardners and it's definitely not up to their usual standards. In Rhythm on the Range Bing got to sing, Empty Saddles and introduced I'm An Old Cowhand. Since they owned the rights, why didn't Paramount just let Martin have some of these to do. In fact I'm An Old Cowhand would have been a great comic duet for both Dino and Jerry.
Still the accent was on comedy rather than romance in Pardners and that is what Martin and Lewis do best.
Dean and Jerry are the sons of a pair of ranchers who were both killed in a range war. Dean's parents stayed west, but Agnes Moorehead as Jerry's mom, went East, made a ton of money and raised Jerry as the tenderest tenderfoot ever. Dean's now gone east and entered rodeo competition to win money for a prize bull named Cuddles. He meets up with Jerry who 'helps' him out in his usual manner.
Most of Rhythm on the Range involved Bing Crosby on the journey back west with Cuddles the bull and Frances Farmer where some romance develops. Since no one would confuse Frances with Jerry, the love interest has to be supplied elsewhere. Jerry's cousin Lori Nelson does this for Dean. In fact according to the Nick Tosches biography on Dean Martin, the interest was off the screen as well.
Jerry doesn't do too bad in this film either. He gets saloon girl and former Miss USA Jackie Loughrey. By that time Jerry's been made the sheriff and he's gotten the ire roused of one particular bad guy Jeff Morrow who thinks of Loughrey as his own. But in the end all's well and even the intergenerational range war has finally ended. Not without the usual broad comedic gags that are a Martin and Lewis specialty.
Bing made out miles better in his film than Dino did in the song department. Jimmy Van Heusen and Sammy Cahn wrote the score for Pardners and it's definitely not up to their usual standards. In Rhythm on the Range Bing got to sing, Empty Saddles and introduced I'm An Old Cowhand. Since they owned the rights, why didn't Paramount just let Martin have some of these to do. In fact I'm An Old Cowhand would have been a great comic duet for both Dino and Jerry.
Still the accent was on comedy rather than romance in Pardners and that is what Martin and Lewis do best.