Now this is a rare time to describe a sitcom as great. Every other show got something to do with what I call it the American comedy. But (Becker) is for all I think. That's related to what kind of characters, situations, and issues that it presents. So its cleverness comes from being humanly profound whereupon internationally effective.
Here, we have a very stingy caustic and peevish M.D. yet with a heart of gold; he still insists on treating the poor people in Queens. And most of his nervousness comes from some idealism that exists under the scalding surface, and causes it. Add to that, a crazy bunch that represented the strangest family that that doctor might have had: cynical nurse (a mom), lazy childish employee (a young sister), diner's kind disappointed owner (a girlfriend-wannabe!), a black blind man (a friend or a brother), and annoying handyman (the opposite friend or brother).
Actually the writing for this man's world was all perfect. The genius concept was that it centered on how to make you think and feel, with laughing. Others prefer to make you laugh, smile, then forget about the whole thing after. Yes, more than 1 plot per episode, but there must be something touching in the way. Just imagine wise lines through comic sitcom. Truly this show provided me with a lot of deep meanings along with unstoppable comedy. WAW, a sitcom with meaning.. Now that's something I forgot that it even exists!
(Becker) was my first time ever to witness such a miracle where everyone and everything are laughable. Every episode is assured riot. The comedy, from situations to gags, is plenty and absolutely not mannered, dirty, or tacky. Its sense of humor was bitter, cynical, and jocose all at once. It floated serenely and naturally. The characteristic about this show was that it had stereotypical characters, yet their talking wasn't stereotypical. And with talented harmonizing cast, the hot lines were delivered cutely and truthfully. So, through humane situations, they became real people. Real and so funny too.
(Ted Danson) made some glory out of being the dusty irate (John Becker), who is always grinning, deriding, and in one cheap coat. (Hattie Winston) is the nurse that every one needs; her performance made the character so vivid and honest like it's not acting. (Alex Désert) was enjoyable even by saying nothing, and consummate as the mate; he confirmed that (Becker) can really get a friend, and be, metaphorically, blind to overlook his harsh behaviors. (Saverio Guerra) was (Bob) himself, the desperate lover, and the little worm in the same time. (Terry Farrell) was good, but the less powerful among the rest. (Shawnee Smith) was great as (Linda), but poor (Linda); the writers wanted nothing for her but being the stupid (Linda) all along!
The memorable moments are endless: (Becker) is about making a moral mistake, and then all of his world's characters appear as ghosts to judge him. (Becker) meets his total opposite (Nancy Travis). (Bob) wants to be in a photo with (Reggie). (Becker) can't sleep because electric lights attack his bedroom. (Jake)'s grandmother slaps (Becker) in the face for treating her right. (Becker) is on a plane that has serious problems. (Becker) is a jury. (Becker) is going to make a speech in his high school. And (Becker) is trying to quit smoking. For anyone who doesn't watch the show, that means nothing, but for the one who did.. This is thorough classic.
So, smart comedy, clever lessons about life, perfect cast.. I don't need more. This is one of the best of its kind. And that's coming from a guy who doesn't use the term "the best" in his talking much or ever. Let alone that in every other sitcom, the laughing (track or studio audience) is terribly provocative, but here, it's believable to an extent that won't push you to press "Mute"!
When you compare (Becker) to shows like - God forbid - Friends, it wouldn't be like comparing good sitcom to bad one, it's more like comparing good one to NO one!
Here, we have a very stingy caustic and peevish M.D. yet with a heart of gold; he still insists on treating the poor people in Queens. And most of his nervousness comes from some idealism that exists under the scalding surface, and causes it. Add to that, a crazy bunch that represented the strangest family that that doctor might have had: cynical nurse (a mom), lazy childish employee (a young sister), diner's kind disappointed owner (a girlfriend-wannabe!), a black blind man (a friend or a brother), and annoying handyman (the opposite friend or brother).
Actually the writing for this man's world was all perfect. The genius concept was that it centered on how to make you think and feel, with laughing. Others prefer to make you laugh, smile, then forget about the whole thing after. Yes, more than 1 plot per episode, but there must be something touching in the way. Just imagine wise lines through comic sitcom. Truly this show provided me with a lot of deep meanings along with unstoppable comedy. WAW, a sitcom with meaning.. Now that's something I forgot that it even exists!
(Becker) was my first time ever to witness such a miracle where everyone and everything are laughable. Every episode is assured riot. The comedy, from situations to gags, is plenty and absolutely not mannered, dirty, or tacky. Its sense of humor was bitter, cynical, and jocose all at once. It floated serenely and naturally. The characteristic about this show was that it had stereotypical characters, yet their talking wasn't stereotypical. And with talented harmonizing cast, the hot lines were delivered cutely and truthfully. So, through humane situations, they became real people. Real and so funny too.
(Ted Danson) made some glory out of being the dusty irate (John Becker), who is always grinning, deriding, and in one cheap coat. (Hattie Winston) is the nurse that every one needs; her performance made the character so vivid and honest like it's not acting. (Alex Désert) was enjoyable even by saying nothing, and consummate as the mate; he confirmed that (Becker) can really get a friend, and be, metaphorically, blind to overlook his harsh behaviors. (Saverio Guerra) was (Bob) himself, the desperate lover, and the little worm in the same time. (Terry Farrell) was good, but the less powerful among the rest. (Shawnee Smith) was great as (Linda), but poor (Linda); the writers wanted nothing for her but being the stupid (Linda) all along!
The memorable moments are endless: (Becker) is about making a moral mistake, and then all of his world's characters appear as ghosts to judge him. (Becker) meets his total opposite (Nancy Travis). (Bob) wants to be in a photo with (Reggie). (Becker) can't sleep because electric lights attack his bedroom. (Jake)'s grandmother slaps (Becker) in the face for treating her right. (Becker) is on a plane that has serious problems. (Becker) is a jury. (Becker) is going to make a speech in his high school. And (Becker) is trying to quit smoking. For anyone who doesn't watch the show, that means nothing, but for the one who did.. This is thorough classic.
So, smart comedy, clever lessons about life, perfect cast.. I don't need more. This is one of the best of its kind. And that's coming from a guy who doesn't use the term "the best" in his talking much or ever. Let alone that in every other sitcom, the laughing (track or studio audience) is terribly provocative, but here, it's believable to an extent that won't push you to press "Mute"!
When you compare (Becker) to shows like - God forbid - Friends, it wouldn't be like comparing good sitcom to bad one, it's more like comparing good one to NO one!