Run, Man, Run (1968)
9/10
The Big and FUNNY Gundown
28 December 2008
Once upon a time in the cinematic west, more particularly during the sixties, you had to be Italian and your first name preferably had to be Sergio in order to make the greatest Spaghetti Westerns of all time. There was the greatest Sergio of them all (Sergio Leone, creator of the "Dollars"-trilogy and "Once upon a time in the West") but there was also Sergio Corbucci who made the awesomely terrific "Django" and "The Great Silence", and last but not least there was Sergio Sollima who was responsible for "The Big Gundown" and its mega-cool sequel "Run Man Run". Unfortunately I haven't seen the original yet – it's hardly my fault Blue Underground opted to include only the sequel in the fabulous Spaghetti Western Collection DVD box – but the follow up is a vastly entertaining, fast-paced, refreshing, exhilarating and effectively light-headed western adventures and promptly became one of my new personal favorites in the genre. Tomas Milian is stupendous as usual depicting the witty and hyperactive petty criminal Manuel "Cuchillo" Sanchez who is literally always on the run; whether for his demanding fiancée who insists on getting married or – due to a series of unforeseen events – from a whole lot of bounty hunters, organized criminal gangs and Mexican army officers. After helping a Mexican revolutionist to escape from jail, Cuchillo receives some valuable information regarding the whereabouts of a treasure of $3.000.000 in gold. This money is meant to finance the Mexican Revolution, but obviously several parties are more than interested in stealing it and they're all short on Cuchillo's tail as he's the only one who can lead them to the exact location. This top-class Italian western is near damn perfect from every viewpoint. The typical "Viva La Revolution" theme is always present, but never obtrusively shoved down your throat like often the case in other westerns (for example "Bullet for the General") and actually the emphasis strangely enough lies on comedy and abrupt plot twists instead of on harsh fights until death. Cuchillo spends most of his time on screen either running (duh!) or captured by one of his many opponents and subjected to ingenious methods of torture, but his narrow escapes are even greater to behold. Despite the comical atmosphere, "Run Man Man" nevertheless contains large portions of violence (Cuchillo is an expert knife thrower) and typically wild Western shootouts in desolate areas. The musical scores, courtesy of both Bruno Nicolai and Ennio Morricone, are beyond genius. The title track can be found on YouTube and I'm really addicted to it.
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