I'm surprised at the negative comments on a movie that I found, if not a favorite, somehow **important** to watch. Every character, save Catherine Keener's (Cecilia), is basically a person who is broken on some level. American audiences are so used to the Hollywood formula of clear cut good guys and bad guys and people who overcome, story lines that have clear cut endings where the good guys win and the bad guys pay, where everything makes sense in the end. This is not one of those movies and it's not the way real life is anyway. If the ending doesn't make sense in that way, it does give the impression that by the end of the movie, the characters are on the precipice of finally finding some peace in their lives even though the audience won't get to see it.
Viewers complain that the story meanders or makes no sense and that they don't understand the characters. I didn't find this to be true either. They were very easy to understand and the storyline ties together past events (shown in flashbacks to their youth) and the results of their actions--guilt, relationships torn apart, **everyone** paying (not just the bad guys) while trying desperately to reconcile with themselves and one another to find that it's not so easy to do so. Rather than "meandering", I found the story to be shown in a very linear fashion and that exposition is given bit by bit until it ties together at the end.
One of the complaints that I found in reviews and on the message board is how Lyle, the one that attained wealth through their shady methods, ends up quitting, walking away from his money in what appears to be an "all of a sudden" fashion. By the end of the movie, after his story is told in flashback, it made perfect sense to me that he wanted to walk away for a long time and this was finally his opportunity to grab it. His reasoning, talking to his wife on the phone, "No more %*@#! lies!" and that "it's the smell of the alfalfa" said it all. He just wanted to go back (perhaps to his youth) before all of the nightmare began and start over. Makes perfect sense. I think it's difficult for some people to comprehend that someone would choose meaning in their life over money or that there are perhaps rich people out there that may have fantasies of walking away from it all. I just don't find that hard to believe.
Nick Nolte's character, Vincent, is probably the most difficult one to comprehend because his is the most screwed-up and in the most pain. Because of his actions when young, his obtuse reaction at the time to his then girlfriend (and now Lyle's wife, Rosie, played by Sharon Stone) through in what I'll call "the event that tore them all apart" and his part in it along with his clumsy and confused attempt at rectifying it with Rosie (and Simms), make his character the most uncomfortable to watch. It's not because the part is badly written or badly played (Nick Nolte plays the part to perfection). It's just because this guy is **supposed** to be uncomfortable to watch.
The worst things I can say about it is that there isn't enough Sharon Stone in it. I'm not a big fan of hers but she is a dynamic actress and her character deserved more presence while most of her story is shown in flashback with a younger actress. Catherine Keener isn't given enough praise for her part because her character is the only "ordinary" and somewhat sane person in the midst of all this and so **appears** less interesting although I didn't feel it was. I think that is the purpose that that character serves--as a sort of reflection to it all. Albert Finney, as the crooked race commissioner who makes one mistake too many and loses the things that matter, is also a prize to watch. But then he always is.
While this movie isn't a "pick-me-up" kind of thing, I found it intriguing.
Viewers complain that the story meanders or makes no sense and that they don't understand the characters. I didn't find this to be true either. They were very easy to understand and the storyline ties together past events (shown in flashbacks to their youth) and the results of their actions--guilt, relationships torn apart, **everyone** paying (not just the bad guys) while trying desperately to reconcile with themselves and one another to find that it's not so easy to do so. Rather than "meandering", I found the story to be shown in a very linear fashion and that exposition is given bit by bit until it ties together at the end.
One of the complaints that I found in reviews and on the message board is how Lyle, the one that attained wealth through their shady methods, ends up quitting, walking away from his money in what appears to be an "all of a sudden" fashion. By the end of the movie, after his story is told in flashback, it made perfect sense to me that he wanted to walk away for a long time and this was finally his opportunity to grab it. His reasoning, talking to his wife on the phone, "No more %*@#! lies!" and that "it's the smell of the alfalfa" said it all. He just wanted to go back (perhaps to his youth) before all of the nightmare began and start over. Makes perfect sense. I think it's difficult for some people to comprehend that someone would choose meaning in their life over money or that there are perhaps rich people out there that may have fantasies of walking away from it all. I just don't find that hard to believe.
Nick Nolte's character, Vincent, is probably the most difficult one to comprehend because his is the most screwed-up and in the most pain. Because of his actions when young, his obtuse reaction at the time to his then girlfriend (and now Lyle's wife, Rosie, played by Sharon Stone) through in what I'll call "the event that tore them all apart" and his part in it along with his clumsy and confused attempt at rectifying it with Rosie (and Simms), make his character the most uncomfortable to watch. It's not because the part is badly written or badly played (Nick Nolte plays the part to perfection). It's just because this guy is **supposed** to be uncomfortable to watch.
The worst things I can say about it is that there isn't enough Sharon Stone in it. I'm not a big fan of hers but she is a dynamic actress and her character deserved more presence while most of her story is shown in flashback with a younger actress. Catherine Keener isn't given enough praise for her part because her character is the only "ordinary" and somewhat sane person in the midst of all this and so **appears** less interesting although I didn't feel it was. I think that is the purpose that that character serves--as a sort of reflection to it all. Albert Finney, as the crooked race commissioner who makes one mistake too many and loses the things that matter, is also a prize to watch. But then he always is.
While this movie isn't a "pick-me-up" kind of thing, I found it intriguing.