7/10
The plot has more holes than a block of Swiss cheese, but terrific acting made it work
15 March 2009
Warning: Spoilers
The fact that they made so many Dr. Kildare films in the 30s and 40s is more a testament to the acting of Lew Ayers and Lionel Barrymore than to the quality of the writing for this film. In so many ways, it seems like just another B-movie but somehow it managed to generate enough interest to create a series of films.

Interestingly, not all of the Kildare films featured Lew Ayers in the lead, as after 1942, the series continued with Lionel Barrymore and other young doctors. Sadly, this is apparently because the public grew to hate Ayers because of his status as a conscientious objector during WWII. However, this is really unfair as when drafted, Ayers DID serve with distinction on the front lines--as a corpsman and chaplain's aid where he risked his life but was unwilling to kill. This abhorrence of violence stemmed from his role in the greatest anti-war film of all-time, ALL QUIET ON THE WESTERN FRONT. Fortunately for Ayers, a few years after the war, his public image changed and he gained acceptance--though his career never replicated the heights of his Dr. Kildare years.

Now the fact that Barrymore made fifteen films in the series is very interesting, as his character was diagnosed with terminal cancer in this first film! According to the brilliant Kildare's opinion, Barrymore (as 'Dr. Gillespie') SHOULD have died within the year! Perhaps Kildare came up with some miracle cure in some subsequent film to explain this discrepancy.

This is the first film in the series. Because of that, much of the film is spent establishing who the character is, creating a back story and installing him in his new job as an intern at a big New York hospital. I liked this part of the film a lot and liked the characters.

However, oddly, the actual "big cases" they created for this first film were really limp. The first was a small one that made absolutely no sense--none. While assigned to ambulance duty, a patient dies and the guy turns out to be an important politician. Kildare is accused of incompetence but the guy died because the ambulance assistant (Nat Pendleton) ignored Kildare's instructions. Why Kildare hid this from the investigating board is not only inexplicable but highly unprofessional. The second is a case involving an attempted suicide by a rich heiress. Despite having a prominent psychiatrist assigned to the case (Monty Woolley in a very tiny role), Kildare insists he knows more than ANYONE at the hospital and is insubordinate. Then, when he's suspended, he goes into action like a Charlie Chan-type character. None of this made any sense, either, and Kildare came off as a know-it-all. Not an auspicious beginning to the series! Still, despite the film's many deficiencies, it is watchable. In many ways, the relationship between Gillespie and Kildare is reminiscent of the TV series "The Paper Chase".

By the way, the receptionist in the film is played by a young Blossom Rock--the same actress who played 'Grandmama' on "The Addams Family" TV show. Interestingly, she was Jeanette MacDonald's less famous sister.
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