The Farmer's Wife (1928)
Like many of Alfred Hitchcock's more famous films, The Farmer's Wife begins with pure innocence (a beautiful day in the country, followed by two adorable puppies, maybe the cutest things in any of his movies). And unlike almost all of his movies, it remains pure and happy throughout. Even the fact that a woman (the main character's wife, we learn) is dying in the first scenes is no impediment to the joy of life in the beautiful countryside--her last words are a reminder to the maid to "air out the master's pants." Can't you hear Hitchcock laughing?
This is no diabolical thriller. The only suspense here is who the man might marry next, and I think we are meant to know the answer to that pretty early on, as well. There is a nice montage of him getting dressed around forty minutes into the film. And just before that a fun trick of imagining future wives and seeing them fade in, sitting on a chair, and then fade back to an empty chair. (This reprises toward the end, as well, and it's briefly hilarious.) Some of the scenes are genuinely beautiful, and others have a candor and quickness to the actions that is fresh and honest. And when everyone leaves for the hunt, the number of cute little dogs used is quite astonishing--over a hundred, I think.
Yes, a lighthearted, nicely felt film, a bit slow all along and over two hours long, but there is a feeling of competence here. Is it recommendable? Only if you are really just interested in a calm, sweet tale. The man's quest for a mate is a comedy, with one rejection after another. The acting is generally quite good, especially the many women. The bum caricature isn't a help, and the main man, played by Jameson Thomas, is merely appropriate at being strong and irritable. Some of his lines are pretty funny because he's mean when he doesn't need to be, and the women either squeal or laugh.
And how's this for a line to a woman to persuade her to marry him: "You'll only feel the velvet glove and never know I was breaking you in." She says no.
Like many of Alfred Hitchcock's more famous films, The Farmer's Wife begins with pure innocence (a beautiful day in the country, followed by two adorable puppies, maybe the cutest things in any of his movies). And unlike almost all of his movies, it remains pure and happy throughout. Even the fact that a woman (the main character's wife, we learn) is dying in the first scenes is no impediment to the joy of life in the beautiful countryside--her last words are a reminder to the maid to "air out the master's pants." Can't you hear Hitchcock laughing?
This is no diabolical thriller. The only suspense here is who the man might marry next, and I think we are meant to know the answer to that pretty early on, as well. There is a nice montage of him getting dressed around forty minutes into the film. And just before that a fun trick of imagining future wives and seeing them fade in, sitting on a chair, and then fade back to an empty chair. (This reprises toward the end, as well, and it's briefly hilarious.) Some of the scenes are genuinely beautiful, and others have a candor and quickness to the actions that is fresh and honest. And when everyone leaves for the hunt, the number of cute little dogs used is quite astonishing--over a hundred, I think.
Yes, a lighthearted, nicely felt film, a bit slow all along and over two hours long, but there is a feeling of competence here. Is it recommendable? Only if you are really just interested in a calm, sweet tale. The man's quest for a mate is a comedy, with one rejection after another. The acting is generally quite good, especially the many women. The bum caricature isn't a help, and the main man, played by Jameson Thomas, is merely appropriate at being strong and irritable. Some of his lines are pretty funny because he's mean when he doesn't need to be, and the women either squeal or laugh.
And how's this for a line to a woman to persuade her to marry him: "You'll only feel the velvet glove and never know I was breaking you in." She says no.