Although I can be considered a Jane Austen addicted, it took me a long time before watching this movie, since I feared it was a melodramatic, sentimentalist and inconsistent pseudo-biography of the English novelist. Indeed, my fears were confirmed when I saw it, the movie proves much inconsistency, and has nothing to do with Austen's life and inner world, as it can be inferred from her novels, since we do not know much about her biography.
Let's say that this story between the roguish Tom Lefroy and her is pure fiction, this man in only mentioned twice in Jane's letters to her sister Cassandra, but no love story has ever been recorded. I think the director and the producer, on the wave of Jane Austen's cinematographic revival and success of recent years, aimed at making a pleasant, audience-attracting movie (and in fact they chose an Anne Hathaway, whose stunning beauty is by itself attractive, but very far from Austen's physical appearance). They made a work of juxtaposition between her literary production and her quite unknown personal life, and interpreted her life according to the plot of her novels, mainly Pride and Prejudice, but again disregarding the true nature of her inner struggles and motivations. This improbable, mainly considering Austen's secluded and never independent life, love story is romantic, seductive, but the complexity of her inner world and the world of her heroines, is totally missing.
In this way, the final product is enjoyable, the always charming English (and Irish) locations contribute greatly to an overall agreeable perception. Whenever I see or visit some English countryside, or mansion, I immediately fall in love with them, that's why I could probably never dislike such a movie completely , but it totally missed the point, and leaves much to be desired, in terms of rendering something vaguely true about the English novelist (but this was not probably the point of the production, as I said before). In the end, the movie can be viewed as a pleasant, amusing, and well acted fiction of a young, beautiful lady, fond of Jane Austen and trying to experience in life what she read in novels, wanting to become Jane but never turning into her.
Let's say that this story between the roguish Tom Lefroy and her is pure fiction, this man in only mentioned twice in Jane's letters to her sister Cassandra, but no love story has ever been recorded. I think the director and the producer, on the wave of Jane Austen's cinematographic revival and success of recent years, aimed at making a pleasant, audience-attracting movie (and in fact they chose an Anne Hathaway, whose stunning beauty is by itself attractive, but very far from Austen's physical appearance). They made a work of juxtaposition between her literary production and her quite unknown personal life, and interpreted her life according to the plot of her novels, mainly Pride and Prejudice, but again disregarding the true nature of her inner struggles and motivations. This improbable, mainly considering Austen's secluded and never independent life, love story is romantic, seductive, but the complexity of her inner world and the world of her heroines, is totally missing.
In this way, the final product is enjoyable, the always charming English (and Irish) locations contribute greatly to an overall agreeable perception. Whenever I see or visit some English countryside, or mansion, I immediately fall in love with them, that's why I could probably never dislike such a movie completely , but it totally missed the point, and leaves much to be desired, in terms of rendering something vaguely true about the English novelist (but this was not probably the point of the production, as I said before). In the end, the movie can be viewed as a pleasant, amusing, and well acted fiction of a young, beautiful lady, fond of Jane Austen and trying to experience in life what she read in novels, wanting to become Jane but never turning into her.