Traumatized by the death of her beloved father, a young woman compulsively attends the funerals of strangers. After she is caught sucking face with a male corpse by a creepy mortician, the mortician inducts her into a bizarre cult of people who enjoy making love to dead bodies. But then she falls in love with a living man and the real drama develops.
This is one of the few movies about necrophilia where there is really an equal emphasis on the "necro" and "philia". There's a very disturbing scene where the creepy mortician picks up a male prostitute and proceeds to embalm him while he's still alive(!), but generally this movie isn't nearly as gruesome as stuff like "Der Mosquito", "Lucker", "Beyond the Darkness" or "Nekromantic". It does, however, have one of those sappy 70's love plots (complete with a syrupy 70's soundtrack) that is definitely odds with the more gruesome content. But, in my opinion anyway, it also makes the film more interesting than if it had just been a pure gorefest.
This film is also yet another entry in strange series of 70's exploitation films (i.e. "Dream No Evil", "Toys Are Not for Children", "Baby Rosemary") all focusing on female Norman Bates-types whose obsessive love for dead or absent fathers results in severe adult sexual dysfunction, and ultimately tragedy. The most recent movie it resembles is the "indie cult" film "Kissed" with Molly Parker. But while others may disagree, I definitely prefer 70's exploitation to modern-day "indie" quirkiness. This is definitely worth seeing.
This is one of the few movies about necrophilia where there is really an equal emphasis on the "necro" and "philia". There's a very disturbing scene where the creepy mortician picks up a male prostitute and proceeds to embalm him while he's still alive(!), but generally this movie isn't nearly as gruesome as stuff like "Der Mosquito", "Lucker", "Beyond the Darkness" or "Nekromantic". It does, however, have one of those sappy 70's love plots (complete with a syrupy 70's soundtrack) that is definitely odds with the more gruesome content. But, in my opinion anyway, it also makes the film more interesting than if it had just been a pure gorefest.
This film is also yet another entry in strange series of 70's exploitation films (i.e. "Dream No Evil", "Toys Are Not for Children", "Baby Rosemary") all focusing on female Norman Bates-types whose obsessive love for dead or absent fathers results in severe adult sexual dysfunction, and ultimately tragedy. The most recent movie it resembles is the "indie cult" film "Kissed" with Molly Parker. But while others may disagree, I definitely prefer 70's exploitation to modern-day "indie" quirkiness. This is definitely worth seeing.