I just watched this film for the first time because I'm a fan of B-grade schlock that never so much as made a blip on the radar, and this film seemed to fit right into that category what with the straight to video release and the fact that no DVD has been made to date. Boy was I happily surprised instead to find a genuinely thrilling film with some acting that could put a ton of more successful (and higher budget) films to shame.
This is a stalker tale, starring Katya, a headstrong young woman (Diane Lane was 22 at the time and we've no reason to believe she's any older in the film) who's just moved away from her country home to the city to find work as a window-dresser. Her assertiveness gets her the job, and she somehow has the funds to afford as an apartment a single floor of a warehouse, which provides a unusual and somewhat dark setting for the film, and helps it's creepy nighttime atmosphere. Katya excels at her window dressing job by creating provocative and somewhat risqué displays which attract tons of attention for her store. As it turns out not all attention is positive as she also quickly gains a stalker in Jack (Michael Woods) and an admirer in Mac (Cotter Smith) a reporter who interviews her and writes an article on her work. Katya is far too empowered and independent to concern herself with the obscene phone calls she receives from a mysterious stranger (Jack) until he proves to be a legit stalker complete with all the sinister wiles necessary to successfully entrap her, both in mind and ever more threateningly, body. Jack spins his nefarious web, as the two characters whose worlds have been submerged in chaos vie for control in a dangerous sortie.
Though this is no novel concept, indeed it's a rather common one, the acting in this film, and the subtleties within make it far more striking and memorable than any like film I've ever seen. I'll also mention that this film though being in a specific sub-genre that has a reputation for being formulaic deliciously breaks from that formula, which is a reason to watch it in and of itself. The actor's abilities to express things subtly really makes the film more "real" if you will, and both Diane Lane and Michael Woods excel in their respective roles. Much like her window displays, Lane simply oozes eroticism just by being on camera, and Woods portrays hands-down the creepiest yet still believable stalker I've ever seen in a movie, which is erotic too in it's own perverse way. It's a shame this film didn't have more exposure or Woods might've been able to land roles more accrediting than Red Shoe Diaries though this film does showcase his forte for that type of role. Another thing I can vouch for; after seeing this film I am a Diane Lane fan for life. An actor's job is to make sure you don't know they're acting, and either Diane Lane IS Katya, or she's one of the best actresses I've ever had the pleasure of being fooled by. In either event she was amazing in this movie, completely perfect for the role, and I truly hope Diane Lane is proud of her performance. I dare say it might be the best I've seen from her, and I can only hope some contemporaries at the time saw it and thought as I did which may have helped her toward the greater fame she now possesses and deserves. Although, the straight to video release and somewhat seedy premise make it more likely that this film truly is just a hidden treasure still waiting to be discovered. Lady Beware was probably the best surprise I've had all year, and if you so much as have the gumption to even find and read this review, this is a must-see film for you, I doubt you'll regret it.
This is a stalker tale, starring Katya, a headstrong young woman (Diane Lane was 22 at the time and we've no reason to believe she's any older in the film) who's just moved away from her country home to the city to find work as a window-dresser. Her assertiveness gets her the job, and she somehow has the funds to afford as an apartment a single floor of a warehouse, which provides a unusual and somewhat dark setting for the film, and helps it's creepy nighttime atmosphere. Katya excels at her window dressing job by creating provocative and somewhat risqué displays which attract tons of attention for her store. As it turns out not all attention is positive as she also quickly gains a stalker in Jack (Michael Woods) and an admirer in Mac (Cotter Smith) a reporter who interviews her and writes an article on her work. Katya is far too empowered and independent to concern herself with the obscene phone calls she receives from a mysterious stranger (Jack) until he proves to be a legit stalker complete with all the sinister wiles necessary to successfully entrap her, both in mind and ever more threateningly, body. Jack spins his nefarious web, as the two characters whose worlds have been submerged in chaos vie for control in a dangerous sortie.
Though this is no novel concept, indeed it's a rather common one, the acting in this film, and the subtleties within make it far more striking and memorable than any like film I've ever seen. I'll also mention that this film though being in a specific sub-genre that has a reputation for being formulaic deliciously breaks from that formula, which is a reason to watch it in and of itself. The actor's abilities to express things subtly really makes the film more "real" if you will, and both Diane Lane and Michael Woods excel in their respective roles. Much like her window displays, Lane simply oozes eroticism just by being on camera, and Woods portrays hands-down the creepiest yet still believable stalker I've ever seen in a movie, which is erotic too in it's own perverse way. It's a shame this film didn't have more exposure or Woods might've been able to land roles more accrediting than Red Shoe Diaries though this film does showcase his forte for that type of role. Another thing I can vouch for; after seeing this film I am a Diane Lane fan for life. An actor's job is to make sure you don't know they're acting, and either Diane Lane IS Katya, or she's one of the best actresses I've ever had the pleasure of being fooled by. In either event she was amazing in this movie, completely perfect for the role, and I truly hope Diane Lane is proud of her performance. I dare say it might be the best I've seen from her, and I can only hope some contemporaries at the time saw it and thought as I did which may have helped her toward the greater fame she now possesses and deserves. Although, the straight to video release and somewhat seedy premise make it more likely that this film truly is just a hidden treasure still waiting to be discovered. Lady Beware was probably the best surprise I've had all year, and if you so much as have the gumption to even find and read this review, this is a must-see film for you, I doubt you'll regret it.