To be brief:
1. "17 fois Cécile Cassard" has a bad reputation. I do not feel comfortable about that. This is true: a) the names and characters appear in several Honoré's movies and novels (he is also a writer; he already used the name "Roland Cassard" in "Les Cahiers du Cinéma", name coming from - a Breton too - Jacques Demy's films: "Lola"... "Les Parapluies de Cherbourg" where Geneviève - Catherine Deneuve's part - pretends she is... 17); b) the construction and the pace may give trouble to viewers narrow-minded. To the others, what is the problem with those famous 17 times that bothered so many critics? Do they think the script is "literary", "intellectual", thus boring? Not at all. Mourning has swept through Cécile's life. And life, or living, slowly (slowly in the film's time, not in her lifetime) gains ground, step by step (17). And life indeed lives in the film from the very beginning, even in death, and does not quit. Plus: the shots are very beautiful, and sweet, especially at night-time.
2. So much life in it: due to Béatrice Dalle's astonishing performance. Think whatever you want of the maverick real Dalle - I love her (integrity, so rare, frightens the narrow-minded and the conservative). But you cannot say she is not perfect as an actress. That'd be hypocritical. Perfect is the word. So true. Directly to your heart. If you are fond of her acting, I may suggest (again for Arte!) Gaël Morel's "New Wave", in which her part (a 'borderline' mother at least) is not so long, but consuming: a really terrifying presence, so true that you didn't think it were possible to play. Thank you Mr. Honoré, thank you Ms. Dalle.
1. "17 fois Cécile Cassard" has a bad reputation. I do not feel comfortable about that. This is true: a) the names and characters appear in several Honoré's movies and novels (he is also a writer; he already used the name "Roland Cassard" in "Les Cahiers du Cinéma", name coming from - a Breton too - Jacques Demy's films: "Lola"... "Les Parapluies de Cherbourg" where Geneviève - Catherine Deneuve's part - pretends she is... 17); b) the construction and the pace may give trouble to viewers narrow-minded. To the others, what is the problem with those famous 17 times that bothered so many critics? Do they think the script is "literary", "intellectual", thus boring? Not at all. Mourning has swept through Cécile's life. And life, or living, slowly (slowly in the film's time, not in her lifetime) gains ground, step by step (17). And life indeed lives in the film from the very beginning, even in death, and does not quit. Plus: the shots are very beautiful, and sweet, especially at night-time.
2. So much life in it: due to Béatrice Dalle's astonishing performance. Think whatever you want of the maverick real Dalle - I love her (integrity, so rare, frightens the narrow-minded and the conservative). But you cannot say she is not perfect as an actress. That'd be hypocritical. Perfect is the word. So true. Directly to your heart. If you are fond of her acting, I may suggest (again for Arte!) Gaël Morel's "New Wave", in which her part (a 'borderline' mother at least) is not so long, but consuming: a really terrifying presence, so true that you didn't think it were possible to play. Thank you Mr. Honoré, thank you Ms. Dalle.