Part two of Marcel Pagnol's wonderfully simple, but, mind me, not simple-minded Marseilles trilogy is even funnier and more touching than its predecessor, thanks to expanded supporting roles and a broader variety of outdoor locations.
The dialogue is as humorously and emotionally rich as ever and the cast, almost outshone by Raimu's terrific performance, works wonders with their lines.
The pace may drag slightly from time to time and some story aspects feel redundant, but the basic concerns of Pagnol's deeply philanthropic approach to issues like paternal love, social constraints and diverging attitudes towards life offer more than enough pleasures.
8 out of 10 suspicious premature births
The dialogue is as humorously and emotionally rich as ever and the cast, almost outshone by Raimu's terrific performance, works wonders with their lines.
The pace may drag slightly from time to time and some story aspects feel redundant, but the basic concerns of Pagnol's deeply philanthropic approach to issues like paternal love, social constraints and diverging attitudes towards life offer more than enough pleasures.
8 out of 10 suspicious premature births