Lana Turner goes into the modeling world hoping to get discovered. Along the way, she meets Ray Milland, who's a married man, and of course they start having feelings for each other. Ann Dvorak (from Paul Muni's "Scarface") is great in a supporting role. In fact, some would say she steals the show, because the viewer thinks of her even when she's not on the screen, due to circumstances I'm not going into. Barry Sullivan, who was frequent costar of Lana's, is on hand with his shoulder for Lana to cry on.
For such an unknown movie of Lana's, one would think is just a hum-drum black-and-white movie. But, "A Life of Her Own" is a very well-written and insightful film which provides a mature approach to a woman's life at an older age, who is trying to find herself and what she really wants out of life, and what she doesn't want.
An added plus which most reviewers have already alluded to, is the great music score to this film. It makes Ray and Lana's scenes feel very intimate. But when reality hits and she meets the wheelchair-bound wife. it does get rather depressing and downbeat. But the ending is very soothing, as she "is herself" with Barry and visits the view one more time of Ann Dvorak's old apartment building and where she doesn't want to wind up. It's a shame to think only Lana fans would be attracted to this film. It's one for all those who want something intelligent and for people, who though older and not quite settled, are still yearning for "a life of their own."
For such an unknown movie of Lana's, one would think is just a hum-drum black-and-white movie. But, "A Life of Her Own" is a very well-written and insightful film which provides a mature approach to a woman's life at an older age, who is trying to find herself and what she really wants out of life, and what she doesn't want.
An added plus which most reviewers have already alluded to, is the great music score to this film. It makes Ray and Lana's scenes feel very intimate. But when reality hits and she meets the wheelchair-bound wife. it does get rather depressing and downbeat. But the ending is very soothing, as she "is herself" with Barry and visits the view one more time of Ann Dvorak's old apartment building and where she doesn't want to wind up. It's a shame to think only Lana fans would be attracted to this film. It's one for all those who want something intelligent and for people, who though older and not quite settled, are still yearning for "a life of their own."