5/10
So What Was The Big Deal?
15 October 2009
Watching The Moon Is Blue today is watching a rather ordinary comedy that had a respectable run on Broadway (924 performances in the 1951- 1953 season) that got blown totally out of proportion because of the attendant publicity.

More tickets were sold for this film, more publicity was generated for this film than the hype of a dozen press agents by the actions of the censors, in this case the Catholic Legion Of Decency who objected to the words 'pregnant' and 'virgin' being in the script. But isn't that always the case, tell people something is banned and they flock to see it out of curiosity if nothing else.

Otto Preminger directed the play on Broadway and brought it here to the cinema and expanded it a bit for the screen. The roles of the cab driver Gregory Ratoff, the TV singer Fortunio Bonanova, interestingly enough the daughter of David Niven, Dawn Addams did not exist in the original play. It was a four person comedy with a cast that included Barbara Bel Geddes, Barry Nelson, Donald Cook, and Ralph Dunn playing the parts that went to Maggie McNamara, William Holden, David Niven and Tom Tully.

However Maggie McNamara did play the lead in the national touring company and Preminger did bring her to Hollywood. She even received an Oscar nomination for Best Actress, but lost that year to a very similar actress in a similar role, Audrey Hepburn for Roman Holiday.

The wolfish William Holden spots McNamara leaving his building and follows her up to the top of the Empire State Building observation deck. You know the old saying, he pursued her enough until she decided to let him catch her. They go back to his apartment where she also arouses the interest in an old roué in the person of neighbor David Niven. Holden was going out for a bit with his daughter Dawn Addams. The two pursue her for the rest of the film and you figure out who she winds up with.

This is the plot of a gazillion comedies and the mere use of a couple of forbidden words elevated The Moon Is Blue to something way beyond what it actually merited. The Moon Is Blue also got Oscar nominations for the title song and for film editing.

This film did not lead to a brilliant film career for Maggie McNamara. That tragic woman did a couple of better films Prince Of Players and Three Coins In The Fountain and then Otto Preminger also cast her in The Cardinal. All of those were better than The Moon Is Blue for which she was nominated.

Looking at that film almost 60 years later, you scratch your head and wonder what the big deal was with his movie.
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