US Col. Robert Tanie lives with his wife in a cottage in rural England. While hunting on hares, he stumbles on someone he suspects being a poacher or a smuggler. Hoping to scare off the trespasser, he takes a shot at him, and sees the man fall down. Having used non lethal munition, he's very surprised to discover the man's actually dead. What he doesn't know is that the actual killer is a sniper, belonging to a spy ring. Later, he meets Sandorski, a Polish officer (you could describe him as something between Tarfu –see Sabotage agent- and Hercules Poirot). This Sandorski is working together with some British cloak and dagger people, that are keeping a close eye on some suspicious characters, who are also roaming around on the hunting grounds. Sandorski has discovered the presence of strong lights, that are intended to help a plane land in the darkness on these remote surroundings. It soon turns out some shady characters are expecting a mysterious plane with a passenger that clearly doesn't want to use more common ways to travel to the UK. Tanie and the Polish officer manage to change the position of landing lights, and "kidnap" the passenger. It turns out to be a scientist from the Eastern bloc, who wants to meet a communist spy in London.
The novel was by Geoffrey Household, the screenplay by nobody less than Eric Ambler. The action is more important than the psychology of the characters or the dialogs. The movie starts at a somewhat slow pace, but gradually, things are becoming more and more interesting, building up toward a nice climax in Madame Tussaud's. The movie is at times somewhat unnecessarily complex: the presence of a Polish officer with a cavalry sword (!) doesn't add much strength to the storyline. Also, it would have made more sense if Col. Tanie was enjoying retirement with his beautiful wife on the English countryside, so I was surprised to see him use a (US ?) uniform at times, which suggested he was not. And why would spies meet in Madame Tussaud's in stead of in a safe house ?
Still, it's certainly a nice little movie: although no A-stuff, certainly a better than average B-movie. Joel McCrea is alright as the not particularly bright Colonel, and Evelyn Keyes is well cast as his helpful but also curious and somewhat impatient wife. I'd rate it 7.5 to 8/10 However, if you want to see a much better UK spy movie from the same period, try to find High Treason.
The novel was by Geoffrey Household, the screenplay by nobody less than Eric Ambler. The action is more important than the psychology of the characters or the dialogs. The movie starts at a somewhat slow pace, but gradually, things are becoming more and more interesting, building up toward a nice climax in Madame Tussaud's. The movie is at times somewhat unnecessarily complex: the presence of a Polish officer with a cavalry sword (!) doesn't add much strength to the storyline. Also, it would have made more sense if Col. Tanie was enjoying retirement with his beautiful wife on the English countryside, so I was surprised to see him use a (US ?) uniform at times, which suggested he was not. And why would spies meet in Madame Tussaud's in stead of in a safe house ?
Still, it's certainly a nice little movie: although no A-stuff, certainly a better than average B-movie. Joel McCrea is alright as the not particularly bright Colonel, and Evelyn Keyes is well cast as his helpful but also curious and somewhat impatient wife. I'd rate it 7.5 to 8/10 However, if you want to see a much better UK spy movie from the same period, try to find High Treason.